The following article is in the latest issue of Revolver magazine. Not much that we don't already know and, obviously not completely up to date, but, anyway ...
There’s a house 60 miles north of Helsinki, Finland. It’s in the middle of the woods, surrounded by trees, snow drifts, more trees, drifts of snow, and, oh yeah, some snow. It’s not The Shining’s Overlook Hotel, but Alexi Laiho and his cohorts in Children of Bodom have nonetheless spent the last few weeks turning it into a scene of unbridled brutality.
The house, it turns out, is home to Petrax Studios, and that’s where Children of Bodom are recording their as-yet-untitled new album with producer Mikko Karmilla. It’s ideal for an admitted perfectionist like Laiho; completely isolated and free of distractions, there’s nothing to do but focus on the job at hand. “Peace and quiet, man!” he says. “In the woods, you don’t need to do shit except concentrate on the music.”
Well, that and drink.
“We drink a lot of booze,” the frontman confirms. “But only when the work’s finished! It hurts in the morning, but that doesn’t matter as long as you can play your parts. You never use a hangover as an excuse not to do your job.”
Laiho promises that the new record’s already shaping up to be “a punch in the face. It’s faster than our last record, and much fucking harder.”
But he says it’s also a lot more complicated than 2005’s Are You Dead Yet? That record found Bodom - exploring a stripped-down sound full of old-school thrash riffs.
“This time, we wanted to make things more difficult,” says Laiho. “So I’ve been including some progressive sounds. Not in an annoying way, though; if we do progressive music, we want people to actually listen to it. We won’t become a Depeche Mode cover band. If we ever get tired of playing metal, that’s the end of Children of Bodom.”
Laiho won’t divulge many of the new album’s secrets, but he says that curious fans can check out the track “Tie My Rope”, which will be on the new record but is also available on Bam Margera’s Viva La Bands compilation.
Another new song, called Roadkill Morning, is about “the worst fucking hangover you’ve ever had,” says Laiho. “On tours and shit, we’d get wasted every single night. I asked one of our friends, ‘How’re you feeling?’, and he was like, ‘I feel like fucking roadkill!”
Laiho credit’s a more relaxed writing and recording schedule - five months - as one of the reasons he was able to explore so many diverse styles of music. It’s also helped him to preserve his own peace of mind. “Working on Are You Dead Yet? was pure hell,” he says. “We rehearsed all day, then I’d come home and start fucking around with the guitar and a four track until 6 am. Then I’d wake up and do it all again until I was completely wrecked. This time, it was really laid back, and that allowed me to be more creative.”
Children of Bodom plan on spending much of 2008 - and 2009, for that matter - on the road. They have festival dates scheduled in Europe and will spend the summer in Japan. There are also some big plans for the United States, but, after a quick discussion with his manager, Laiho decides to keep them to himself. “For one thing, I don’t want to spoil what will be a completely fucking cool announcement,” he says. “And, I’m not sure I’m allowed to say anything yet, and I don’t want to stupidly fuck it up!”
“But we’ll be on the road for a long time,” he promises. “I love it. I’m burning up right now; I need to get back out there, fast. With Are You Dead Yet? we toured for two years, so we’re used to this type of schedule. It’s our job. But more than that, it’s a really rewarding experience. We’re going all over Europe, we’re going to Japan. And then the United States - it’s such an enormous country, you’re not going to get through it all in just a year. I can’t fucking wait!”