Javi Perera
Member
EWQLSO is cool for some things, but if you want some epicness, I recommend you to combine them with symphobia.
Here it is an example:
Here it is an example:
Last edited by a moderator:
EWQLSO is cool for some things, but if you want some epicness, I recommend you to combine them with symphobia.
Here it is an example:
http://www.youtube.com/watch?v=x5RYz2Kjbko
[UEAK]Clowd;8933078 said:dude I just checked out those vox by themselves. They sound so fucking pretty.
any tips on that smoothness? I'm pretty sure I tune/edit my vox similarly to you but they don't come out that smooth. must be a compression thing?
probably the compression
i compress the living shit out of vocals
to the point where its a square black block in the wave form
[UEAK]Clowd;8933091 said:I do too. maybe it's just the dude's voice.
chain
at4040->rme fireface 800
that is tuned then time stretched
then eq'd, then de-essed, then compressed
sometimes eq'd again, and other times compressed or limited again (like soft vocals)
then some gentle automation on stuff that's RMS heavy but same level (usually straight volume reduction to cure those spots)
every other line has anywhere from 1 - 5 extra background vocals
some parts more
its all about layering and knowing what to make the singer do (like sing the same line, but in falsetto) and getting those to match so perfect that it changes their voice to sound better
all of that, combined with producer skills / technique will get you there!
joey just out of curiosity, how drastically do your guitar tones change after being mastered? I just can't imagine getting this clear of a tone out of POD without a ridiculous amount of PP and mastering.
pretty much everything changes drastically with my mastering chain
vocals and guitar most notably
what mastering chain you going with these days? I believe i suffer a pretty good bit there
what mastering chain you going with these days? I believe i suffer a pretty good bit there