Arch Enemy seem to pull it off in C using 11,15,18,32,44,59 an unwound G if I'm not mistaken.
SICK! :zombie:
A wound G sounds fuller and less twangy, which is WAY better for chording IMO.
Baritone = 7 string for noobs
possibly, but B or drop A most of the times sounds heavier and roars "clearer" on a baritone. the longer the scale, the better? ;-)
It's not a wound g string, its a wound d string. If you were tuning to E would you use a plain D? It sounds crap honestly. And the longer the scale the better for downtuning to a point. I like baritone 6's and 7's, but always think 7's should be longer. My 26.5" hellraiser just wasnt long enough for Bb without goin .070. ~27" with a 0.68 sounds about right.
Oh come on, it's typically common to refer to the 3rd string as the "g string", no matter which tuning you're in...
Yeah half an inch longer scale, but its missing a top string! Where TEH SHREEEDZ!?!? :Smokin::Smokin::Smokin:
oh I am a bass player so no shred missing here, lol!
plus to me real baritone starts from no less than 28", so it's at least one inch and a half more than most 7 strings.
24,75" Caparison Horus tuned down to Drop B with elixir's 0.12-0.68 string set (g string unwound).
I've never played better in low tunings, it's just awesome.
Personally I stick to standard, Bb at a push but a few guys on here said they use a .70 on top, like Jeff Loomis who tunes to Bb. Im used to "shredding" on fairly weighty strings not a problem, but surely .70 must just feel stupidly tight with minimal crunch on the bottom end?
Did you need a setup on your guitar after that? Due to the neck tension increase?
Im tempted to try it but I don't want to A) Spend the money and fine I don't like it and B) Cock the guitar fit up, in which case I need to take it to a tech.