Recommend me one, that's ONE jam band album.
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Demonspell
cheating the polygraph
They're more space rock than jam band despite their tendency to stretch out live, but I'd highly recommend Ozric Tentacles in this category. Especially the bongrific part.
lizard
Member
Alright guys, here's some moe.
"Moth" - 17 mins
http://s42.yousendit.com/d.aspx?id=1L9HFPOOCS6Z42BA5X6PCJBZ5D
flows into "Timmy Tucker" - 30 mins
http://s42.yousendit.com/d.aspx?id=3UM7BGUG4XD5C0VEP649VNEZR0
taken from Warts and All - Winter Stout - vol 1, recorded straight to DAT from the front of the soundboard and two ARG 414s, 4/23/01, Scranton Cultural Center Ballroom, Scranton, PA.
Vinnie Amico - drums
Rob Derhak - vocals, bass
Chuck Garvey - vocals, guitar
Jim Laughlin - percussion
Al Schnier - vocals, guitar
the amazing thing is these are only the last two songs of the FIRST SET. Keep in mind the jam band ethic does not place primacy upon vocal prowess, the whole point of the framework of a song is to get to the improvisation. One of the greatest bits of fun of being a fan is the parts of the show where the jamming is slowly morphing into another song, as in this case - and trying to anticipate what is coming next.
Also, if you're so inclined, jam band shows are always a prime spot to score drugs.
"Moth" - 17 mins
http://s42.yousendit.com/d.aspx?id=1L9HFPOOCS6Z42BA5X6PCJBZ5D
flows into "Timmy Tucker" - 30 mins
http://s42.yousendit.com/d.aspx?id=3UM7BGUG4XD5C0VEP649VNEZR0
taken from Warts and All - Winter Stout - vol 1, recorded straight to DAT from the front of the soundboard and two ARG 414s, 4/23/01, Scranton Cultural Center Ballroom, Scranton, PA.
Vinnie Amico - drums
Rob Derhak - vocals, bass
Chuck Garvey - vocals, guitar
Jim Laughlin - percussion
Al Schnier - vocals, guitar
the amazing thing is these are only the last two songs of the FIRST SET. Keep in mind the jam band ethic does not place primacy upon vocal prowess, the whole point of the framework of a song is to get to the improvisation. One of the greatest bits of fun of being a fan is the parts of the show where the jamming is slowly morphing into another song, as in this case - and trying to anticipate what is coming next.
Also, if you're so inclined, jam band shows are always a prime spot to score drugs.
Krilons Resa
Jerry's married?!
Krilons Resa
Jerry's married?!
[font=Arial,Sans Serif,Serif,Times Roman,Courier,Verdana]
Miasma & The Carousel of Headless Horses are a British instrumental quintet whose dark, antiquated-sounding music encompasses elements of Eastern European folk, avant-rock, broken-down calliope music, and neo-classical film composition. In keeping with Mimicry tradition, their music can only be compared to many artists at once: in this case Angelo Badalamenti, Astor Piazzolla, Goblin, Art Bears, Burzum, Tom Waits, Antioch Arrow, King Crimson, Bach and Univers Zero. More a trip to an anachronistic world of neo-baroque psychedelia than a simple study in diced-up eclecticism, the music on Perils sways between lush chamber-oriented melancholia, apocalyptic bombast, and epic ghost train high-drama. With their harmoniums, autoharps, violins, violas, pianos, organs and glockenspiels added to a top of the line rhythm section, [They] very deliberately adhere to a Faustian melodrama of the angelic. Their dark, harrowing visions of some dense hellish musico-psychological dystopia shapeshift frequently and become a very capable and Elizabethan sounding prog-baroque meteorite at the drop of a hat. This instrumental music would find a happy home in a Jan Svankmajer or Fritz Lang film, and will find a prominent place on the shelf of any connoisseur of occultist highbrow, right next to his/her John Dee volumes. Members of Guapo, Alabama 3, Amal Gamal Ensemble, Knuckles, etc.[/font]
Miasma & The Carousel of Headless Horses are a British instrumental quintet whose dark, antiquated-sounding music encompasses elements of Eastern European folk, avant-rock, broken-down calliope music, and neo-classical film composition. In keeping with Mimicry tradition, their music can only be compared to many artists at once: in this case Angelo Badalamenti, Astor Piazzolla, Goblin, Art Bears, Burzum, Tom Waits, Antioch Arrow, King Crimson, Bach and Univers Zero. More a trip to an anachronistic world of neo-baroque psychedelia than a simple study in diced-up eclecticism, the music on Perils sways between lush chamber-oriented melancholia, apocalyptic bombast, and epic ghost train high-drama. With their harmoniums, autoharps, violins, violas, pianos, organs and glockenspiels added to a top of the line rhythm section, [They] very deliberately adhere to a Faustian melodrama of the angelic. Their dark, harrowing visions of some dense hellish musico-psychological dystopia shapeshift frequently and become a very capable and Elizabethan sounding prog-baroque meteorite at the drop of a hat. This instrumental music would find a happy home in a Jan Svankmajer or Fritz Lang film, and will find a prominent place on the shelf of any connoisseur of occultist highbrow, right next to his/her John Dee volumes. Members of Guapo, Alabama 3, Amal Gamal Ensemble, Knuckles, etc.[/font]
Krilons Resa
Jerry's married?!
