Slayed Necros
Void
Voted Cold Winds and Pagan Winter. Not an easy choice as everything here is at least very good. The title track and Paragon Belial are my top two with the latter being one of Darkthrone's best imo.
oh yeay i was implying you should like it, lulz. And the nerve of you talking about IQ here after that above statement. Ammmayyyyyzin
"BLACK METAL SUCKS BECAUSE IT HAS NO RIFFS BUT I THINK THE WORST SONGS ON THIS BLACK METAL ALBUM ARE THE ONEZ WIT DA RIFFS" bahahhahha. It's ok, i blame it on your mom and dad being blood relatives.
you're a little confused poser anyway, "RIFFS ARE KING AND I HATE BLACK METAL BECAUSE IT HAS NO RIFFS/IS RIFFLESS BUT I LIKE THE BLACK METAL THAT HAS GOOD SOME GOOD RIFFS AND CHAOTIC ATMO". oh okay. No one on this forum walks back the things they've said more than you have. And the worst part is you usually try to weasel out of what you initially claimed to have said. You technically shouldn't "like" anything on this album(which i took into consideration and never implied you liked anything here) considering the amount of garbage you've spewed about black metal. You're basically a headless chicken and nothing more.
you voted for Skald in the opening round brah...
"i like da chaos but hate the most chaotic song on dat album" hmmmm okay. "I hate black metal and love good riffs but i hate the song on that album with the most wicked riffage" O OKAY got it. That's my responseYes and I explained why, to which you had no response.
Drudkh is the icon of atmoshit btw
Shadow and Pagan.
Kathaarian Life Code has fucking Dark Angel-style riffs in it, trills galore, while In the Shadow is a mix of low-melody trad/power trot and plodding 8th note chord droning. The hardcore break in the latter is still pretty cool, but there's no comparison between the two, not in terms of riffing, nor in terms of overall quality.
you weren't the only one who voted for those tracks and i never singled you out brah. Just telling you to drop your false ways. Just go ahead and admit that you were wrong and black metal does indeed have some good riffs, something you just started figuring out because the subgenre is still new to you. No need to pretend dude.
Fenriz interview:
BUT the reason I have to be stern about A Blaze in The Northern Sky is that it fooled people and people got fooled by it. And I’m talking about the press, fans and players in the scene. The packaging, sound and production made everyone think it was a pure black metal album, and then sort of widened the scope for what COULD be black metal. It was not intended that way. After we’d quit the old style of very technical death metal finally, we only had months before studio time, already booked for the supposed Goatlord album, and little time to make a full PRIMITIVE black metal album, so the 3 pure black metal songs on it are “Kathaarian Life Code,” “In The Shadow Of the Horns” (complete with Motörhead mid paced part and lots of Celtic Frost vibes as usual) and “Where Cold Winds Blow.” The rest was really a lot of death metal with some black metal parts – but everyone seemed to not think twice about THAT.
Thought it was interesting that the two songs you mentioned are the two Fenriz claims are among the few pure black metal tunes on the album.
Fenriz interview:
BUT the reason I have to be stern about A Blaze in The Northern Sky is that it fooled people and people got fooled by it. And I’m talking about the press, fans and players in the scene. The packaging, sound and production made everyone think it was a pure black metal album, and then sort of widened the scope for what COULD be black metal. It was not intended that way. After we’d quit the old style of very technical death metal finally, we only had months before studio time, already booked for the supposed Goatlord album, and little time to make a full PRIMITIVE black metal album, so the 3 pure black metal songs on it are “Kathaarian Life Code,” “In The Shadow Of the Horns” (complete with Motörhead mid paced part and lots of Celtic Frost vibes as usual) and “Where Cold Winds Blow.” The rest was really a lot of death metal with some black metal parts – but everyone seemed to not think twice about THAT.
Thought it was interesting that the two songs you mentioned are the two Fenriz claims are among the few pure black metal tunes on the album.
Well if one defines Celtic Frost riffing as pure black metal then sure. I'm guessing what I perceived as a hardcore break was the Motorhead bit he's talking about. I don't buy the argument that A Blaze is particularly death metal-y by the usual meaning of the term, nor even Goatlord. Both albums take from many styles of metal and standard death metal is not a common element of either.
You're right, I'm sure Fenriz was just lying about recycling his death metal riffs because they changed their mind at the last moment and instead recorded a black metal album with not enough time to come up with new black metal riffs to fill an album with.
That was the first time BLACK METAL was no longer just BLACK METAL, as it was up to 1993 and AT LEAST 1991. And so it was a bit OVER for me, but what is stranger is that it didn’t really catch on in the USA before circaa1998 and there it seemed to be Emperor (!) that caught on the most. Uh-oh. Oh well, at least you had POSSESSED in the 80s! YEAH! And later Black Witchery and more and more organic sounding acts. I particularly enjoy Midnight. Then of course you had NECROVORE in 87, Abominations of Desolation MORBID ANGEL, first IMMOLATION demo…it doesn’t matter what style the bands called their music, if it gave off some BLACK METAL FEELING. It is better to listen to that when into a black metal mode than some plastic copy band from the 90s or whatnot. BLACK METAL wasn’t as formulaic as thrash or death metal, but it BECAME so with all the press jumping on it in ’93 and ’94 and since.