Well ill just relate some of my most hates musical cliches whence actually writing music...
1.) I hate 4/4 I hate it..Nothing i write is in 4/4 I cant possibly write in 4, everything I write is in 15, 7, or 6. Whenever i write in 4 I feel like it sounds like shit, I can never think of ANYTHING cool when I have to write in that meter. It like comes out sounding like boring Pantera or Metallica nonsence. I envy those who can write cool stuff in that meter...
2.) "Drop D is for nu metal fags"...Grow the fuck up homofucks. Drop D can open ones playing up to a whole new set off riff and rythmic ideas, as well as being IMO more challenging to write something cool in Drop D, or even write something NOT in the key of D...Try it, its a bitch. Some exapmles of Drop D, "Home" by Dream theater, "Demon of teh Fall" - Opeth, "Blackest Eyes" - Porcupine Tree Alternate tunings rule if you bother to try em out, C#, open E, Drop D, all are awesome...The other thing is "7 strings are gay and are like Korn" If you cant for urself see the expansion of tonal ideas from having the extra B string, Im not going to even bother dispelling this reatrded cliche.
3.) "Everything in the mainstream sucks" Again grow up and take a listen to the stuff you dispell as stupid. Let me see YOU write a fucking riff better than "Face Pollution" by Soundgarden, or "46 and 2" by tool, or fucking "Interstate love song" by STP those are some amazing riffs, and GUESS WHAT! its in the mainstream you twatfucks.
4.) "The reason great underground bands never get signed is becuz the mainstream sucks, and people cant handle it" Thats PARTLY true...the MAIN reason IMO is that too much underground music has holes in it, its missing something. Dream theater, Cradle, Satyricon and some otehrs dint get signed to majors for nothing, they tweaked and polished their sound till it was good enough to be sold to the mass media. Guess what!? Opeth is mainstream, theres not one second hear in NYC that I dont turn on the local radio and hear some Opeths ong comming through. I mustve heard "To rid the disease" at work over 20 times alone over the course of the past two weeks on the radio. I am suprised Katatonias new album hasnt made it big...It also has to do with the record companies who sign these underground bands just dont have the money or resources to promote their groups, So they COULD get mainstream appeal. Opeth, Cradle, Dt etc etc dint bust the mainstream without some SERIOUS fan dedication and hardcore cult followings. The problem is alot of these underground bands dont have such strong cult followings, and record companies dont see the music as viable because well...Ill just say Novembers Doom which is great band only played to something like 10 people when they played NYC. I know for a fact their are alot of people that dig their music here in NYC, but they dont have that hard core cult following to draw a huge crowd whenever wherever. In contrast Opeth does, people would cancel their work day, ditch appointments just to see them. And you know what? people wouldd o the same for a mainsream festival like Ozzfest or Lollapalooza. Anyways this became a rant...
5.) neo classical metal - It could be so cool if they just fucking sitch the barouqe period already, and move on and explore Romanticism, or Modern composers like Shoenberg or Stravinsky.
Im done, and I dont care if dont agree with me.