Deicide - Legion
Anata - The Conductor's Departure
You're not being entirely fair right now. He's just giving listening tips. In his own, perhaps, needlessly elaborate way, but thankfully I can understand him.
If only all of his posts were at least something along these lines and not silly variations of "are you even familiar with the concept of female"? repeated ad absurdum.
Scourge of God said:Deicide - Legion
Shut the FUCK UP...dude, seriously. If he wanted Swedeath, he'd ask for it. Stop being such a cockhat.
The obvious touchstones of the genre:
Monstrosity - Imperial Doom
Death - Symbolic, Individual Thought Patterns
Sympathy - Arcane Path,
That's quite enough of that...
Check these out:
Unreal Overflows - Architecture Of Incomprehension
*Drottnar - Welterwerk*
Blastfame - Abstract Evolution
Disembarkation - Rancorous Observision
*Gory Blister - Skymorphosis*
Pavor - Furioso
The Faceless - Akeldama
Gorod - Neurotripsicks
Prepare for a treat thread maker
Atheretic
Sinners Bleed
*Sceptic*
Crimson Massacre
*Theory in Practice*
Pavor
The point was made, but I see no reason for talking like that.
I always thought this was their least interesting, and that In Dark Purity had a lot more interesting and imaginitive riffs.
In Dark Purity plays more with jazz-inflected harmonies, but the melodies are less developed, the phrasing more compact and symmetrical (boo! hiss!), and the rhythms a lot more predictable, if you're familiar with the basic style they're working in. Imperial Doom really blows up the rhythmic expectations of the listener in a way that none of their subsequent work achieves.
Complex music doesn't lend itself to a simple vocabulary. If smart people make you feel bad about yourself, maybe you should try another endeavor that doesn't involve exposing yourself to the thoughts of others, eh?
If by smart you mean pretentious, then yeah, they do.