all_sins_undone
New Metal Member
- Oct 5, 2005
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has anyone noticed the similiarity between the first track on genesis' foxtrot and the first track on enslaved's blodhemn?
has anyone noticed the similiarity between the first track on genesis' foxtrot and the first track on enslaved's blodhemn?
Dune is a fucking great film.
What makes you think the film should have anything to do with the book? Or, for that matter, is trying to add anything?
edit: i don't know why i called it 'great'. it isn't. but i don't think it's a horrendous interpretation - it follows the book about as accurately as a film can
Departures from the novel
The film makes departures from the novel, most notably in the case of the Weirding Way, which in the novel is a super-martial art form that allows Paul Atreides to move with lightning speed (and is properly termed "prana-bindu training"). In the film it is replaced with "Weirding Modules," sonic weapons that resemble small video cameras and amplify the user's voice into a destructive force. At the time of release, this was controversial among Dune fans.[17][18] Reportedly, the original technique was left out because it was thought that a pitched combat of Fremen fighting Sardaukar while using the book's Weirding Way would resemble an unsophisticated kung-fu film; additionally, the Weirding Modules provided an opportunity for the use of special effects. This change literalized a moment in the novel in which Paul says his name had become a death-prayer, as the Fremen shout "Muad'dib!" before killing an opponent. In the film, a Fremen training with the weirding module says "Muad'dib" and accidentally destroys a ceiling leading Paul to make the remark "my name is a killing word."
David Lynch can be amazing. BLue Velvet and especially Mulholland Drive I would actually call great movies (not like, all-time classics or anything but they're really damn good). As for the complaint "he tries to make things incomprehensible," he does do that in a few of his movies, but in the case of Mulholland Drive it makes the movie all the more interesting as it's both open to interpretations and able to be viewed as a dreamy, ambiguous movie with a plot to match. If you require your movies to have concrete plots then sure, hate it, I view it as sort of like abstract art - why should I have to justify why I like it just cause I don't know what it's about and no one else can do better besides offer interpretations?
His adaptation of Dune, however, is rightly considered one of the worst sci-fi movies of the 80s, as well as his worst film. Even HE says he hates it. It's a huge mess, and I really don't see why they assigned the project to him...I guess just cause the Elephant Man had been successful at about the same time they were looking for directors.
whats wrong with lost highway? my fave movie by him. zizek has written a interpretation about him with the aid of lacan's philosophy.
uhhh so which part is supposed to sound like the moor
@hibernal dream: you simply don't get what lynch does ... so don't bother saying anything more about it.
lost highway is my favourite movie by him as well. mulholland drive I didn't like that much, it was kind a boring and just a repetition of what he already did but directed more towards the big audience perhaps, he definitely wanted to reach a bigger crowd with that one, to say what he wants to say to more people.
inland empire (his latest) was really fucked up though, totally insane and weird. while he was making epic poetry through the medium of film (instead of literature) with lost highway, he's now breaking the boundaries at all. it makes me think more about postmodern painting through film. but I don't really have an opinion about it yet, have to see it again first. it was really insane actually to watch it in this old movie theatre starting at midnight ... walking in the deserted city afterwards was a strange experience.
but this might all sound very stupid to most of you I don't care, just want to point out that you can't criticize what you don't understand or know.