zabu of nΩd;10034600 said:I'm just amazed that people can't appreciate the fact that Opeth has totally broken from the mold and tried something completely outside their comfort zone with this. How dare they!
Umm, they didn't. It's a typical Opeth record, really. They just skipped all the metal sounding shit. I really don't understand why there's any controversy whatsoever.
That's such a Minneapolis thing to say.
Haha! I'm not sure what that's supposed to mean, but that was pretty funny.
It's kinda necessary, though. I can't think of any new(er) prog rock bands.
I guess you could call Radiohead (which is amazing) prog rock, but no new bands play prog in the classic 1970's style, except for the new Opeth album. And don't even try to bring up jam bands, because they take prog rock, rape it, shit all over it, and try to call it art.
I guess you could call Radiohead (which is amazing) prog rock, but no new bands play prog in the classic 1970's style, except for the new Opeth album. And don't even try to bring up jam bands, because they take prog rock, rape it, shit all over it, and try to call it art.
Outside of those with a bias against Opeth, what is wrong with this album? How is it different? They didn't change their sound at all. Sure, they left out a few parts (growling, chuggs-chugga riffs and double kicks), but otherwise it's textbook Opeth.
zabu of nΩd;10034714 said:Obviously Opeth is far inferior to Sabbath, but when you think of how few metal bands out there can even make a decent shot at 'classic' material (however derivative it may be), i'd say that's plenty of reason to be impressed with Opeth's effort.