speed
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infoterror said:The more literature I read, the more I realize that wordplay is trivial; style is temporary (and ages quickly); and the art of prose is only useful toward an end. It's the same way with metal -- Necrophagist is extraneous shit, where Atheist is profound. It's not skill that distinguishes them, but something less quantifiable.
I hate most postmodernism, but I like where it is profound. In the cases of The Crying of Lot 49 and Naked Lunch (and perhaps White Noise) it is profound; not surprisingly, those books resonate the most with readers. Literature is a poeticization of truth; style is only poetic when it has something to say.
O'Neill is good, but honestly, that pseudo-Freudian shit bores the hell out of me. It's well-done, but so far, I've had little need for it; too much investment into the individual becomes drama with no end, no philosophy, no idea.
I've also come to detest Italo Calvino and some of Borges. I like Marquez for this reason.
Right now, I'm reading The Secret Sharer again for a technique study. Before that? Agatha Christie and Ian Fleming.
One of my favorite books is Frankenstein by Mary Shelley. I'm also fond of Jane Austen and William Faulkner. I don't think my reading is characterized by period or literary type, but by the properties of the artist's perception; I like transcendental, insightful, philosophy yet poetic stories.
I'm not too fond of Thus Spoke Zarathustra or other "philosophical novels," which are generally boring as shit and have little philosophy.
I do however like to read garbage like Ian Fleming, Dashiell Hammet or The Turner Diaries.
Well I really dont get what makes it to that special poetic place for you. It seems rather arbritrary and subjective based on these comments. However, I have noticed that most you list, place plot and storytelling above all else in my opinion.
Also, it seems you are like the poster boy for the modern American literature academic: with your love of Frankenstein (a godawful and overanalyzed book to me--opinion of course) Faulkner, Fitzgerald, and the fact you are reading a book on technique study. I dont see how one can learn anything as a writer by reading about the craft of writing. One should read other authors works, and should--if they are any good--to be able to create their own style. I dont know of any great or middlingly good author, who has read works on style and technique etc. But I am autodidactic, with a hatred of institutionalized thinking; so...
I suppose I am the poster boy for the modern literary dilettante. Haha.
But this thread has got me thinking, and I've realized every single author and book I love, is both poetic, yet savagely satirical at the same time. I guess its a personality thing.