I have the Morley classic and a cry baby...
my crybaby is extremely old and not fun to use, it sounds a bit too harsh for my taste and some parts are a bit whacky, switch worn out etc..
the Morley sounds alright but has a very small range IMO...well, actually the tonal range is big, but it's difficult to control cause it's spread over just a very small section of the way of the pedal.
Also does it steal quite a bit of tone in bypass as well.
currently I'm really drooling over the wah solo sounds on the latest Arch Enemy and In Flames...
I know Amott is using a rackmount on stage, does anyone know what he's using in the studio, or what's been used on sounds of a playground fading?
I was thinking VOX V847A maybe?
I like the thing that some Morleys have where you take your foot off the pedal and it turns off, wouldn't hate having that, but tone is more important.
Tips?
my crybaby is extremely old and not fun to use, it sounds a bit too harsh for my taste and some parts are a bit whacky, switch worn out etc..
the Morley sounds alright but has a very small range IMO...well, actually the tonal range is big, but it's difficult to control cause it's spread over just a very small section of the way of the pedal.
Also does it steal quite a bit of tone in bypass as well.
currently I'm really drooling over the wah solo sounds on the latest Arch Enemy and In Flames...
I know Amott is using a rackmount on stage, does anyone know what he's using in the studio, or what's been used on sounds of a playground fading?
I was thinking VOX V847A maybe?
I like the thing that some Morleys have where you take your foot off the pedal and it turns off, wouldn't hate having that, but tone is more important.
Tips?