What are the best speakers for metal/music in general?

Mother_Mary said:
hahahahahahahahaha!!!


erik, shut up you fucking prick. oooh, i go to sound college and i know all about accoustic engineering so i am the only person who is qualified to talk about it.

I am a fully qualified engineer and i also went to college and have a diploma in audio engineering and i stand by my comment. Never use an graphic equalizer on your home system
not working sorry

how DO you suggest that we get rid of resonant frequencies in the room then? pixie dust?
 
CHOO CHOO CLUE TRAIN IS ARRIVING TO PLATFORM YOU ARE A FUCKING IDIOT (lmao)

1) ever heard of resonant room frequencies? of course you haven't because you don't know the first fucking things about acoustics and sound theory! gee! see, every room has at least one or two frequencies at which it self resonates causing these frequencies to be boosted. it does NOT sound pretty because it might mean that a guitar, for example, will sound louder when playing a certain note than other notes. how do you fix this? GRAPHICAL EQUALIZER!

2) holy shit what the fuck. do you think everyone listens to music with a pro grade cd player into active genelec monitors in an acoustically "perfect" environment? 'course not, silly. people use shitty shit shit shit "compact" systems with X BASS BOOST and JAZZ/ROCK/POP/DANCE EQ and FLASHING LED DISPLAYS and shit shit shit. people have absolute SHIT systems. there is NO WAY IN FUCKING HELL that those have anything even REMOTELY RESEMBLING flat frequency response. not in any of the amp stages, not on the speakers, nowhere. what you get is a mangled mess. using graphical EQ or indeed any EQ at all to try and make sense of this fucking mess can VERY WELL be an improvement.

3) why do you think every sound engineer makes it a point to listen to a finished mix on different systems (fucking 80's boombox! fucking radio shack $20 compact taiwanese BASS BOOST system from hell! fucking $20000 audiophile setup! fucking $1000 genelec monitors and $2 earbuds and kitchen radios!) right. because there is no such thing as "perfect frequency balance" or whatever fucking bullshit you dreamed up without knowing SHIT about the subject in any home listening environment.

the goal of the sound engineer is generally this and this only: to make sure that the mix sounds AS GOOD AS POSSIBLE on AS MANY SYSTEMS as possible. this does not mean that if you know how to make it sound better, you shouldn't because EQ'ing is somehow a divine art that mortal men can't comprehend. i go to sound engineering college, and i think you should go fuck yourself.

LOL you probably won't even read this since this thread was started so long ago, but I had the same reaction you did to that post.

I've been eq'ing my shit for many many years. I have bose am 5 speakers. not the best by far, but without eq in any given room they can and do sound like shit depending on the room environment, furniture. is the floor hard surface, or with carpet. acoustical properties of objects and shape of the room even the materials of objects effects sound tremendously!

Plus you have speaker engineers that are told to make speakers sound better for certain types of music. Pop was huge in the 80's you bet they tuned speakers to be more agreeable with that type of music.

Pop tuned speakers sure don't sound that great for metal music! Hence the use of EQ to fix any aberrations caused by any of those factors. Plus it is subjective anyways. What sounds good to you may not sound good to others. An engineer can mix 'til it's 'perfect' doesn't mean I'll like how he mixed it.

I prefer a rich sounding bass so the kick drum and 'chunk' of the guitar stands out a bit more. I adjust my EQ accordingly. Sometimes depending on the era of music I have to readjust my EQ.

80's metal was recorded very flat(for the most part). And recording tech at the time wasn't as advanced as now and mixing is a bit different. There is a lot more bass in modern metal than back in the 80's. So if I pop in some old Anthrax I invariably want to turn the bass up a bit more compared to newer recordings that already have more bass mixed in.

That was just one statement that I had to sign up and say something! I could not believe the ignorance of that post! A sound engineer may know a damn site more about sound production than me. But he sure as fuck doesn't know what my preferences are when listening to music and how I like it mixed.
 
LOL you probably won't even read this since this thread was started so long ago, but I had the same reaction you did to that post.

I've been eq'ing my shit for many many years. I have bose am 5 speakers. not the best by far, but without eq in any given room they can and do sound like shit depending on the room environment, furniture. is the floor hard surface, or with carpet. acoustical properties of objects and shape of the room even the materials of objects effects sound tremendously!

Plus you have speaker engineers that are told to make speakers sound better for certain types of music. Pop was huge in the 80's you bet they tuned speakers to be more agreeable with that type of music.

Pop tuned speakers sure don't sound that great for metal music! Hence the use of EQ to fix any aberrations caused by any of those factors. Plus it is subjective anyways. What sounds good to you may not sound good to others. An engineer can mix 'til it's 'perfect' doesn't mean I'll like how he mixed it.

I prefer a rich sounding bass so the kick drum and 'chunk' of the guitar stands out a bit more. I adjust my EQ accordingly. Sometimes depending on the era of music I have to readjust my EQ.

80's metal was recorded very flat(for the most part). And recording tech at the time wasn't as advanced as now and mixing is a bit different. There is a lot more bass in modern metal than back in the 80's. So if I pop in some old Anthrax I invariably want to turn the bass up a bit more compared to newer recordings that already have more bass mixed in.

That was just one statement that I had to sign up and say something! I could not believe the ignorance of that post! A sound engineer may know a damn site more about sound production than me. But he sure as fuck doesn't know what my preferences are when listening to music and how I like it mixed.
well

i appreciate you signing up for the site just to agree with something i wrote 5 years ago. i sure was angry back then! but i was also right, and you are right too. good stuff.

also this will mark my new account's first and only post in GMD, sup dumbforumz
 
I use an EQ in winamp, but that's part tuning to the room you're in (as Erik put it) and part personal preference. I like a slightly scooped EQ.

As for computer speakers I must say that my Klipsch Promedia 2.1s were amazing. I only had them for a few months then my brother kicked the sub up against the wall damaging one of the ports... but for the brief time I had them I enjoyed them immensely.
 
hahahahahahahahaha!!!


erik, shut up you fucking prick. oooh, i go to sound college and i know all about accoustic engineering so i am the only person who is qualified to talk about it.

I am a fully qualified engineer and i also went to college and have a diploma in audio engineering and i stand by my comment. Never use an graphic equalizer on your home system

I go to bullshit college.
 
I guess this would be a good thread to ask, can anyone recommend me some speakers for my record player?