What are you G.A.S.ing for right now?
- Thread starter ahjteam
- Start date
HeadCrusher
Member
Lasse Lammert
HCAF Blitzkrieg
And still of course I want to buy my friends 94 Trem O Verb:
JUST BEING ABLE TO USE IT IN MY STUDIO IS NOT ENOUGH!!
wow, dunno why, but that particular amp looks vibey as fuck. I really wanna have it, can totally understand you mate
Sacha
Throbbing Member
Ermz
¯\(°_o)/¯
The Unavoidable
jättebög
barricade
Giggity Geschmougen
- Oct 31, 2007
- 803
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bryan_kilco
Member
New sets of tubes for both tube amps.
New guitar. HAS to be natural finish. -.-
Road cases for everything. Make it shock mount for the tube amps.
New guitar. HAS to be natural finish. -.-
Road cases for everything. Make it shock mount for the tube amps.
John_C
formerly Skeksis268
JeffTD
Senhor Testiculo
Let's post a bunch to start a new page or get Anssi to delete his damn post so I can view this thread without ticking extra boxes every time!
JeffTD
Senhor Testiculo
But in white, just announced for 2011.
Jim Adkins (Jimmy Eat World) thinline tele in swamp ash.
Charlez
Carlos Rosa
HeadCrusher
Member
after doing guitar tech at a small 1-day festival today, i'm having SEVERE marshall GAS.
since i was in charge of the whole backline i got to fiddle with engls, mesas, marshalls, line 6, you name it, pretty much side by side.
conclusion:
- rectifier = awesome awesome studio amp, fuck that thing for live use though
- line 6 = sounds good and convincing on it's own, can't hold a candle in a full band (live) mix. there's just no punch, just fizz and digital edge.
- engl fireball = very easy amp.....sounds great for most styles, easy to dial in, doesn't need a boost, it's really plug and play, fire and forget.
- marshall....we had jvms, 900s, and 800s, and i don't care about the model, unless you're playing drop z# brutal death there's nothing better out there. not quite as awesome as the engl when on it's own, but boy do these things shine in a full band mix. the clarity, note definition, and punch were simply amazing. it just naturally covers the right frequency areas so the kick punches, the bass gives the low end, and the guitars dominate the mids with amazing clarity.
i need a friggin marshall goddammit. why the fuck did i even sell my jcm800???????
since i was in charge of the whole backline i got to fiddle with engls, mesas, marshalls, line 6, you name it, pretty much side by side.
conclusion:
- rectifier = awesome awesome studio amp, fuck that thing for live use though
- line 6 = sounds good and convincing on it's own, can't hold a candle in a full band (live) mix. there's just no punch, just fizz and digital edge.
- engl fireball = very easy amp.....sounds great for most styles, easy to dial in, doesn't need a boost, it's really plug and play, fire and forget.
- marshall....we had jvms, 900s, and 800s, and i don't care about the model, unless you're playing drop z# brutal death there's nothing better out there. not quite as awesome as the engl when on it's own, but boy do these things shine in a full band mix. the clarity, note definition, and punch were simply amazing. it just naturally covers the right frequency areas so the kick punches, the bass gives the low end, and the guitars dominate the mids with amazing clarity.
i need a friggin marshall goddammit. why the fuck did i even sell my jcm800???????
