Erik said:What
It's only when a whole fucking album goes TIKTIKTIKTIKTIKTIK ALL the fucking time so all the songs end up sounding the fucking same that I have a real problem with it (see Dork FUNeral "Vobiscum Sathanas") It's unimaginative and annoying. I don't particularly care for music that thinks the only way to achieve extremity and brutality is to play as fast as you can without ever resting or thinking about song dynamics. "Pleasure to Kill" is still the most brutal album ever made.
One Inch Man said:When 5,283,076 bands (an exact number, I counted) use them 100% of the time they can get old, but on the whole I still like them.
Pyrus said:Deströyer 666 is good at blasting too, whereas latter-day Morbid Angel and Marduk are great examples of how NOT to use blast beats. It completely destroys the powerful effects of blasting to use the damn things every five seconds.
Pyrus said:Yeah. It's crappy br00thal DM, and Pete Sandoval wastes his talent by playing the most annoying drum parts ever. There's more fills and blast beats than actual beats, and no attention paid whatsoever to dynamics.
genocide roach said:ive heard alot of people say this about unique leader bands. and while they are heavy on the blast beats. they actually do use other beats and incorperate tempo changes. i own many unique leader cds (deeds of flesh, severed savior, disgorge...) and while they ofcourse use blast beats, youd be ignorant to say they only use blast beats without deviation. its a generalization and it makes you look retarded.
~gR~
Ooh! Ooh! I want to be the Ripping Corpse! (AWAIT DEATH BY THE BLADE)Pyrus said:Yeah, the Metal Inquisition extends an invitation for Erik to join our hallowed ranks. Positions available generally have to do with Defenestration, Cremation, the Guillotine, Death By Hanging (thrash thrash thrash), and such methods of death.
Erik said:Ooh! Ooh! I want to be the Ripping Corpse! (AWAIT DEATH BY THE BLADE)
Also, what are the member benefits? Do I get a funny hat like the guy on the "In the Sign of Evil" cover?
Now you're talking out of your arse. Or wait, perhaps out of Demiurge's arse? I could swear he posted the same thing about UL and blastbeats without knowing what he was on about some time ago.Guardian of Darkness said:Meh...The tempo changes they do incorporate are just for the sake of changing tempo, the actual music is written to be a brutal blast-fest, nothing more. That's why it sucks.
SculptedCold said:I wouldn't have said Deeds of Flesh were about technicality and compactness, considering they've got a fair few comparatively long tracks and don't strike me in the slightest as technical compared to a band like Spawn of Possession, or even just Disavowed maybe.
Naggamanteh said:Now you're talking out of your arse. Or wait, perhaps out of Demiurge's arse? I could swear he posted the same thing about UL and blastbeats without knowing what he was on about some time ago.
To claim that for example Deeds of Flesh are "brutal blast-fest, nothing more" is idiocy. There are far more brutal labels than UL. Deeds of Flesh are about technicality and "compactness". Do you have any clue what it takes to play their kind of music? I doubt. But since you don't hear many gay guitar solos in their music, you just jump on the bandwagon and make retarded statements.
And as for brutal death metal, please refrain from posting on the topic in the future. You know precisely fuck all.
I suppose. I'd draw a similarity to Dying Fetus in this respect; they don't really sound technical either but watching them play is just...Naggamanteh said:I see what you're getting at, their music doesn't resembe SoP or Necrophagist. However, it is still not easy at all to play the guitars in a manner Deeds of Flesh do. If you've tried to play yourself or seen DoF live you'll know what I am talking about.