Metallicat180
Rockstar-In-Training
I got a version of it from You Tube and I'm sorry but I hated it. It just sounding like mindless jamming to me and not in a good way!! Sorry duder!
I got a version of it from You Tube and I'm sorry but I hated it. It just sounding like mindless jamming to me and not in a good way!! Sorry duder!
What do you mean? Its all written out, not mindless at all? If anything, I'd expect you to say its too structured. Did you really listen to the 20 minute studio version? The old you tube footage is probably bad quality.
Yeah you listened to 5 minutes of a 20 minute song from bad footage of 1973. That was just the intro. It gets more melodic. I told you to hear the studio version. I don't care if you like it, but I am disappointed that you wouldn't even listen to the whole song with an open mind. You say you don't like Progressive rock but what do you think Rhyme of the Ancient Mariner and Alexander the Great is? Its total Prog.
Yeah this thread would have been better if we just kept to the topic.
But do you see how I see Maiden as a Metal prog band kind of? That was really the point I think I was trying to make. I think. Shit, I don't know what the hell I'm talkign about!
UP THE IRONS!
Gotta love the sound of that Rickenbacker in that Yes video! If I were a bassist I would DEFINITELY play a Rick!
Squire obtained his distinctive tone at the time by rewiring his RM1999 into stereo and sending the bass and treble pickups each into a separate amplifier. This technique is known as "bi-amping". By splitting the signal from his bass into dual high and low frequency outputs and then sending the low frequency output to a conventional bass amplifier and the high-frequency output to a separate lead guitar amplifier, Squire produced a tonal 'sandwich' that added a growling, overdriven edge to the sound while retaining the Rickenbacker's powerful bass response. This gave his bass sound bright, growling higher frequencies and clean, solid bass frequencies. This technique allowed Squire to utilise harmonic distortion on his bass while avoiding the flat, fuzzy sound, loss of power and poor bass response that typically occurs when bass guitars are overdriven through an amplifier or put through a fuzz box. He also uses fresh strings for every show.