^Laiho has showcased some terrible vocals within the last decade from time to time, but his past vocals were greatness. I've only heard arrogant fans and non-fans bash his vocals, but I have to say the only attempts I've seen from fans to even mimic him have sounded annoying and irritating. Laiho's best vocals were legendary.
Plus, this theory that COB's music is a mess, but they sell albums just because stupid teens like to buy them, is unfair and misleading. Yes their music has become less good and less inspirational, but COB's music still happens to beat the living shit out of almost every band in terms of creativity and catchyness mixed with talent. Most other bands just never do anything that gets your blood pumping like COB. Don't confuse COB as a band that makes shit music but only sells because they're gay and pop.
I hope Laiho redeems his musical status with the new album...
He won't. Your hope is in vain. It is going to be a shit album. Deal with it now, save yourself from the disappointment.
Look, Hatebreeder is never coming back. NEVER. It won't. Those vocals are gone forever.
I was going to finish here, but let me tell you something. Here's why COB will never recover from the suffocating mediocrity in which they have been drowning for such a long time. There are two separate issues here.
First, the easier one. Vocals. They aren't coming back. Period. That is sad for me to admit, because Laiho's were the first growling vocals I heard in metal, and from there I learned about the existence of extreme metal, which is now my favorite metal genre.
Second, the main issue. The muse.
Look, every artist needs a muse. Every artist needs to express himself about something. That's what inspires the artist above the mediocrity, it's what propels him to achieve greatness.
The muse may be anything. It may be anger, it may be angst, it may be beauty, maybe even a woman. Some have felt the urge to write about the wonders of nature, others have painted great archetypes. Statues were risen in honor of great personalities.
Children of Bodom's muse was death. That was clear. The muse is still on the cover of every album, but it has lost status: now it's a mascot. In the beginning they sang about many aspects related with the certainty of death, be it anger, hopelessness, or even the embrace of it in hatred, that was the topic of every single song. I'm sure Laiho had dealt with suicidal thoughts in the past, and I hope he doesn't suffer with this anymore, but I'm pretty sure the reality of death was a big deal for him.
The muse, ironically, is dead. They've devolved into a bunch of drunkards who don't take their craft seriously anymore. That's why every single song seems pointless and hollow. That's why every solo is a mess, why every album is loaded with annoying riffs. You can be a great musician and still be boring as hell, as I'm sure you know many talented musicians who couldn't ever write great hits.
When all you've got as a muse is beer and pointless anger at, well, "something I guess", you end up with Relentless Reckless Forever. They have moved from the songs you're still hoping they'll write someday, to "Was It Worth It?", which, according to Laiho himself, is "a total party song". It is all so pointless that, again, Laiho described "Ugly" as "really just venting and screaming stupid stuff.".
That's the new COB is a nutshell. "Screaming stupid stuff". The vocals won't be back. The music won't be back. I expect this new album to be called "SCREAMING STUPID STUFF". Good luck, mate.