BlackestEyes said:either I am stupid or your link doesn't work
My fault! I'm the stupid one! I fixed the link.
BlackestEyes said:either I am stupid or your link doesn't work
KeithRT99 said:i listened to both
i think the second one is alittle too scooped, but they both sound pretty close.
lol okie doke.Mark_Palangio said:My fault! I'm the stupid one! I fixed the link.
Mark_Palangio said:Thanks man. I used an OD808 to boost the lead channel in the new clip, and used settings close to Andy's. The mids were on 2.
EtherForBreakfast said:How close are you to sounding like Arch Enemy?
*Amott <-----------------------------------------------------------> you
*Legend:
Each "-" represents 5,000 miles.
Hey Palangio... When you go through your C.C. Deville phase, are you going to buy a hot pink BC Rich and a Crate full stack? AOLOL.
EtherForBreakfast said:How close are you to sounding like Arch Enemy?
*Amott <-----------------------------------------------------------> you
*Legend:
Each "-" represents 5,000 miles.
Hey Palangio... When you go through your C.C. Deville phase, are you going to buy a hot pink BC Rich and a Crate full stack? AOLOL.
Mark_Palangio said:Uh, alright. I know Amott is way better than I ever will be, you don't need to be an asshole about it. I never said I was a great guitar player, I'm just looking for opinions on how to improve my recordings.
DSS3 said:I'm digging the new tone better, but yeah, it is a bit scooped... Might want to try upping those or adjusting the mic placement - where was it this time?
It's sounding way smoother - loving that top end!
Dmantis said:Man your clip sounds fantastic. I dig the tone you got. Great job.
Dan
DSS3 said:Yeah, for sure. For reference, this is my latest with a single 57 in that spot, EQ at 6/4/6 with all the other settings the same (resonance, gain, etc)
http://www.soundclick.com/bands/songInfo.cfm?bandID=187505&songID=3866760
Kazrog said:Good tone - but you have one note wrong in the top harmony. The second to last note should be the same as the last note of the phrase. It's very distinctive on the record, it really has to be played that way to feel right. One of their best riffs for sure.
Mark_Palangio said:Yeah, I know that's how they play it, I recorded it like that at first and I just didn't think it sounded right.
Kazrog said:Technically Arch Enemy is right, because the low part is going from the minor 7th of the scale to the major seventh. That means that if you're harmonizing in strict 3rds above in the melodic minor scale, you should play the major 2nd on the top note both times. By going up to the minor third, you are creating a 4th suspension off the major 7th of the scale, which sounds wrong to me, especially in context, since the suspension is never resolved.
DSS3 said:Yeah, for sure. For reference, this is my latest with a single 57 in that spot, EQ at 6/4/6 with all the other settings the same (resonance, gain, etc)
http://www.soundclick.com/bands/songInfo.cfm?bandID=187505&songID=3866760