I finally got round to checking out the poison by BFMV (I know way too late!) and the production is probably my favourite that CR has done. Obviously there are the 3 threads or so that he posted quite a while back now where he gave away quite a lot of information, but it would be nice to maybe collect together what people know of him etc.
e.g. the use of the GML EQ (frequencies in his thread) on guitars
he said for BFMV he double tracked all vocals, and used H300(0?) for chorus and slight delays.
the d4 center rim snare sample
apparently he has his own sample set that he uses on a lot of stuff (saw mark lewis post something on GS about that), but has since got the slate samples and holds them in high regard.
there was something on GS about him and andy doing recording out of a church and something about having a kit set up there? maybe andy can verify that?
obviously the dude knows the 5150 inside out, im guessing he goes for a ts and mesa cab too. same kind of micing philosophy as andy?
I heard he's a yorkshire lad - maybe some of you northerners around here may know some stuff about him too!
e.g. the use of the GML EQ (frequencies in his thread) on guitars
he said for BFMV he double tracked all vocals, and used H300(0?) for chorus and slight delays.
the d4 center rim snare sample
apparently he has his own sample set that he uses on a lot of stuff (saw mark lewis post something on GS about that), but has since got the slate samples and holds them in high regard.
there was something on GS about him and andy doing recording out of a church and something about having a kit set up there? maybe andy can verify that?
obviously the dude knows the 5150 inside out, im guessing he goes for a ts and mesa cab too. same kind of micing philosophy as andy?
I heard he's a yorkshire lad - maybe some of you northerners around here may know some stuff about him too!