Collective questions for Mr. Sneap -thread

I have a new one:
What snare drum/s (brand and model) are we hearing in most of your mixes? Do you prefer a particular one/type or do you just make every snare that comes into your studio sound epic?
 
What compressor do you use for drums ? separately for - bd and separately for snare tracks (i am NOT talking about parallel compression). What kind of reverb do you use for drums also (if you do)
thx
 
Don't take this as gospel, but I'm pretty sure all the compression Andy uses on drums is through the Metric Halo Channel Strip, and for reverb he generally uses D-Verb in ProTools.
 
i asked for the wah pedal not for the sake of getting that awesome tone myself (im a fucking noob production and guitar wise)
i just fucking like that wah sound (in the last dvd is awesome) and im planning on getting a wah pedal for the home studio in the future

Seriously i have wet dreams with this lead tone

http://www.youtube.com/watch?v=0Ih8HiUwlRY
http://www.youtube.com/watch?v=UxcxfPxK_9M


Sorry for the offtopic

I think.. but i might be wrong. but i think Michael Amott used a VOX Wah on Doomsday Machine..
 
Thx Andy for your answers

here`s some:
- How hot you cranked amp for recording ?
- What you do with trrigger signal to avoid double triggering problem ? ( besides threshold and release(retriggering) time - I`m think about decreasing sustein, but on yours photos and life DVDs didn`t notice dampening bars like moongel etc. so maybe you make original signal from triggers similar to damped with comp,gate etc.? If so how exactly? )
sorry for my English :)
 
- What you do with trrigger signal to avoid double triggering problem ?
besides threshold and release(retriggering) time - I`m think about decreasing sustein, but on yours photos and life DVDs didn`t notice dampening bars like moongel etc. so maybe you make original signal from triggers similar to damped with comp,gate etc.? If so how exactly?
 
Andy, oh Andy where did you go???

;)

besides threshold and release(retriggering) time - I`m think about decreasing sustein, but on yours photos and life DVDs didn`t notice dampening bars like moongel etc. so maybe you make original signal from triggers similar to damped with comp,gate etc.? If so how exactly?

Hey Andy,

Here's a question that's been troubling me :

How do you choose the crossover frequencies on your master multi-band comp ?

Thanks in advance,
akarawd

+1
 
i asked for the wah pedal not for the sake of getting that awesome tone myself (im a fucking noob production and guitar wise)
i just fucking like that wah sound (in the last dvd is awesome) and im planning on getting a wah pedal for the home studio in the future

Seriously i have wet dreams with this lead tone

http://www.youtube.com/watch?v=0Ih8HiUwlRY
http://www.youtube.com/watch?v=UxcxfPxK_9M


Sorry for the offtopic

Any of you knows which way "the pros" record guitars on a live performance, cause I´m going to record some bands live shit, and I´d like to achieve a good sound quality.
I wonder if they uses DI boxes and then reamp at studio, or uses line signal from the amp and then IR´s, o simply the mic in front of the amp.....any idea???
 
Oh thanks, I´ll try both. Any idea on vocals, drums and bass?? Cause my goal is to achieve a pro sound, near to AE LIve apocalypse or something like that and I am pretty confused. When I listen to that dvd I hear Angela´s voice so clean, that I can´t believe it´s recorded live....