those are the three wah pedals I'm gaving here right now
here's a comparison:
Crybaby Standard
Morley Classic
Vox v847a
my verdict:
the Morley has a nice warm tone and a wide pedal range, but much of that range doesn't actually change the tone too much (feels kinda logarithmic, in the lower regions the change is much stronger than it is the top half of the way), the sweep is pretty narrow. Because of the seperate switch a PITA to use live.
The Crybaby has that classic tone but is too sharp sounding for my liking, the pedal range is smaller than on the Morley, most of the tonal change is happening somewhjere in the middle on a very limited range, difficult to control (almost feels like a switch)
The Vox has a warmer tone again, which I like, the pedal range is extremely short which again makes it difficult to control, but at least the tonal changes are spread more evenly over that range.
I think I like this one best, but the very tiny range makes it difficult to operate is standing up in a live situation, cause the way/range of the pedal feels like it's really just milimeters. if this tone would be spread over the same way/pedalrange as the morely ha it'd be the perfect wah
I's´d have wished for a bigger ratio (range of the pedal : tonal change) for the crybaby and the vox and for a more even sweep on the morley and crybaby
please dont judge the playing, it's total garbage, also am I not used to either one of the pedals atm, so it was difficult for me to control the sweep, but perhaps these clips will give you an idea nonetheless.
I'll keep the old crybaby around in case a funk band comes to the studio
I like the Morley but not as much as the Vox, so it'll have to go
the vox is what I'll be keeping...but it still doesn't kick my ass.....but that might change after I learned how to use it
here's a comparison:
Crybaby Standard
Morley Classic
Vox v847a
my verdict:
the Morley has a nice warm tone and a wide pedal range, but much of that range doesn't actually change the tone too much (feels kinda logarithmic, in the lower regions the change is much stronger than it is the top half of the way), the sweep is pretty narrow. Because of the seperate switch a PITA to use live.
The Crybaby has that classic tone but is too sharp sounding for my liking, the pedal range is smaller than on the Morley, most of the tonal change is happening somewhjere in the middle on a very limited range, difficult to control (almost feels like a switch)
The Vox has a warmer tone again, which I like, the pedal range is extremely short which again makes it difficult to control, but at least the tonal changes are spread more evenly over that range.
I think I like this one best, but the very tiny range makes it difficult to operate is standing up in a live situation, cause the way/range of the pedal feels like it's really just milimeters. if this tone would be spread over the same way/pedalrange as the morely ha it'd be the perfect wah
I's´d have wished for a bigger ratio (range of the pedal : tonal change) for the crybaby and the vox and for a more even sweep on the morley and crybaby
please dont judge the playing, it's total garbage, also am I not used to either one of the pedals atm, so it was difficult for me to control the sweep, but perhaps these clips will give you an idea nonetheless.
I'll keep the old crybaby around in case a funk band comes to the studio
I like the Morley but not as much as the Vox, so it'll have to go
the vox is what I'll be keeping...but it still doesn't kick my ass.....but that might change after I learned how to use it