I never get sick of replying to these threads.
1.
The Twilight Is My Robe - 3:35 - 6:28 - Really nice interlude, and... One of Opeth's best solos. Probably
the best. And the rest of the song.
2.
To Bid You Farewell - The entire song. I don't think I need to say any more.
3.
When - 8:25 - 9:14 - The whole song is great, but if one part deserves it, this part does.
4.
The Moor - 0:01 - 9:30 - Yeah... That's the majority of the song. I feel like it should've ended there, but that's just because I think it gets a bit too repetitive.
5.
Godhead's Lament - 2:41 - 5:50 - This used to be my favorite Opeth song. Still a great one.
6.
Moonlapse Vertigo - 4:30 - 6:04 - Witness the jazziness, and the chaos that ensues. You do kind of have to hear the song from the beginning to reallize how cool it is that they did this, though. Does anyone remember (if they saw it) how much the crowd cheered when Mikael played this at their first U.S. show? Regardless of how he screwed it up, of course.
7.
White Cluster - 3:12 - 10:02 - My favorite Opeth song. I know I cut out the death metal, but still. That's not near the best part.
8.
The Leper Affinity - 2:14 - 3:33 - My favorite Opeth solo. I think. If only it was longer, though... TTIMR's solo is incredibly close.
9.
Harvest - The entire song. So timeless.
10.
Blackwater Park - 8:06 - 11:19 - The most kick ass moment in Opeth history, if you ask me. 10:31 - 11:19 being the best drumming job Martin did. With the exception of the end of
Deliverance.
11.
Wreath - 5:06 - 6:51 ... How the last note of the solo rings out into that keyboard riff, then they do that really simple drum riff in harmony with the guitar.
7:35 - 8:58 - Tabla solo into grim solo. 'Nuff said.
12.
Masters Apprentices - 4:57 - 7:45 - I don't why... I just like it.
