i honestly disliked this album at first. i thought it was pretentious as hell and masturbatory.
but second impressions over and now i think that CotE is quite possibly one of the most beautiful albums i've ever heard. it's more than music. i like how it's always sort of "implying" a straightforward melody, and how the emotions are kind of carried in the subtle modulations between the segments in the song rather than within the segments in the song; i like how the songs tease with a wide myriad of textural "somethings" in the background; these "somethings" create an exotic accoustic world, it's poetry and wondrously 3-dimensional accoustic art. i never knew musicians could be artists "that" way.
anyway, i don't want to be idiot with my rants. one thing i'm sure of. this is a definite "headphones" album. and it's nothing like previous motw, and nothing like most music period. as much as i think it's wonderful with the potential to grow and become a part of me, this album has an extremely limited appeal and that's unfortunate - very few people will appreciate it - especially in metal circles. this album is still PRETENTIOUS as FUCK but in a pioneeringly good way, and i'm actually thankful for it. i mean thank you for being artists. it's been a long time since i've felt inspired on an "anthropological" level. so this means a lot. in retrospect, i think the name change was appropriate. you guys hatched out of something. the music is more transcendent, more "astral."
btw, i'd place the order of fave songs this way:
Marithon
Antique
Wayferer
Pitcher of Summer
Manifold Curiosity
-- actually, though. i'm kind of missing the Byron element in the music. it would have been nice to have his heavier growls atmospherically pluming the background here and there as it does in Secret Song. but that's a personal quibble (?) on my side. congratulations on the awesome album.