1. Doomsword - The Eternal Battle
For my money, the first and only success of the NWOTHM movement to produce an album that slots right into the canon of arcane heavy metal alongside stuff like Crystal Logic, Irae Melanox and King of the Dead. It's got a powerful and distinctive vocal performance, a great production job that is both clear and satisfyingly raw, and stellar songwriting all around, with moments I love to death on just about every song. (Just to name a few; the crossfade from "Varusschlacht" into the title track, the verse riff on "The Fulminant", the -everything- on "Warlife", and perhaps above all, the solo & final chorus on "Soldier of Fortune".)
2. Realmbuilder - Fortifications of the Pale Architect
Let's start with the negatives: This is a two-man band that truly does sound like a two-man band, and Zahler isn't very good vocalist. But I love their attitude in not letting their obvious limitations restrict them from attempting epic, narrative heavy metal, and in reaching for the stars with their songwriting in a way that the overwhelming majority of fully featured modern heavy metal bands are either too cowardly or creatively bankrupt to do. I imagine it is this exact can-do attitude which has made Zahler so prolific across a wide range of media, having not only recorded heavy metal albums but also directed films, written novels, and last I heard, made a comic book?!
3. Taake - Noregs Vaapen
Like the Doomsword, here's another album that sounds like a lost genre classic come out of a time capsule. If I was as big a fan of black metal as I am of heavy metal, maybe I'd be raving about this as much. Oh and there's banjo on one of the tracks, which every comment on this album is legally obligated to mention.
4. Virus - The Agent that Shapes the Desert
The necessary experimental album to balance out all the genre-purism above, although it is not so much an exercise in throwing shit at a wall and seeing what sticks as the work of a mature band playing refined tunes in a genre of their own making. The drawback is that some of the songs blend together a bit too much, but the atmosphere is top notch and the geologically themed lyrics are a big step up from Written in Waters' edgy poetry about raping swans.
5. Hammers of Misfortune - 17th Street
I miss Scalzi and Myers, and I miss the pointed lyricism of The Locust Years, but Hammers are still masters of their craft, delivering a unique brand of prog metal that avoids the embarrassing tropes of the genre while adding color to their tunes with Hammond organ, multiple vocalists and instrumental overtures and interludes that develop and resolve in satisfying ways. This is the best of all their post-Scalzi albums, with "The Grain" and "The Day the City Died" in particular ranking among their finest songs.
6. Black Oath - The Third Aeon
Italo-doom in the Paul Chain mold. Nothing revolutionary but really damn satisfying to listen to.
7. Argus - Boldly Stride the Doomed
I've cooled a little on this album since being greatly enamored with it years ago, but it's still a terrific USPM/doom hybrid with a powerful, distinctly gruff vocalist and some killer tunes in the first half especially.
8. In Solitude - The World. The Flesh. The Devil
Sort of reminds me of Ghost and Idle Hands and other modern attempts to soften a heavy metal sound with 70s rock melodicism, but unlike with those bands any surface fusion genre gimmickry rests on a solid foundation of basically NWOBHM. These guys have a great sound and great riffs, and it might not be their fault that it all never really coalesces into something wonderful for me. I will keep revisiting this and hope that one day it does.
9. Galneryus - Phoenix Rising
A Galneryus album.
I'll add a tenth entry if I think of one I like.