hahaha see my reaction on page 1 on that one
Yeah dude, it's the pure truth
Here comes my story:
I started tracking some band the 1st August at the singer's home. She had a beautiful house near Madrid in a beautiful zone with an awesome living room in the first floor where the band practiced in.
The room sound was magnific, and the drums were nice (Gretsch Catalina Maple). Although I don't like that snare, it's the best drumkit I've had the pleasure to play on and record.
We put triggers on everything, and only a few mics. A stereo pair of T Bone SCT800 LDC tube microphones as overheads; a T Bone SCT700 LCD tube mic for the hi-hat; a matched pair of Behringer B2 Pro as room mics about 4 meters away from the kit. Also we put 2 SM57 in the snare (above and below it)
Overheads went into a FMR RNP then into Digi 002 line in.
Triggers went intro a Behringer preamp with adat into the Digi's ADAT
And room mics plus hi hat and snare went to the Focusrite Octopre LE and then to the Digi line in. (all borrowed gear from 2 friends
)
The drummer wasn't bad, but had never recorded before, and wasn't following the click really accurately. Also his kick drum beats weren't any tight.
Well, we recorded every song (6 songs in 1 day) and everyting was fixable thru quantizing and minor editing, so fine.
Then we recorded guitars at my home, Peavey Vortex with SD Blackouts into my L6 Toneport UX1, monitored with POD Farm standalone, but baked with 8505 and Ryan's impulse.
Whatever
Then we got to record the bass. :zombie:
When I met the bassist the first thing that came to my mind was he smelled so bad
. Well, we went down to my basement-studio and started tuning the bass and shit (
this one) and I realised he played bass with the fingers
.
When we started setting up a sound, everything sounded muddy on POD Farm, so we turned knobs and more knobs to try to get a clear sound. It was him, his playing was muddy. Then he told me
he was a lefty but played standard basses since day one. That explained a lot of things.
We finally started recording something, and the guy just couldn't do any upbeats in the songs, played 8th notes as triplets (he couldn't play 16th notes at 130 bpm...).
I had to manually place each of the notes in the grid just when he recorded, to make sure every spot was filled and sounding good. So fucking much editing...
At some point he told me: "This part I'm gonna play some notes and you're going to build everything up from editing, cuz I don't know this part and it has some upbeats I don't want to deal with right now." I was STUNNED
Then the band (that hate him) told me he was saying that he played awesome on the recording and that I edited almost everything to be perfect on the mix, "just like every producer does with every bassist around"
God, since that day I think that guy is just retarded, dumber than cotton (thanks mixerman
), and deaf. There's no other possible logical explanation.
Anyways, it ended sounding right on the mix.
</rant>