on to zodijackyl light, then.
the overall feeling i get from this song is that of a double movement: one starting from the earth/mankind and going upwards through everything that is man-made, the other starting from the stars and descending upon us.
the reason/structure of this motion might reside in the jackal/revenge theme we've already seen in '...of melancholy burning' (definitely a song about paybacks): for everything that happens on the inside/human level, there is some sort of counterbalance/retaliation on the cosmic side.
i think zodijackyl light particularly deals with some negative aspects of the 'what goes around comes around' principle, i.e., there is a strong pressure superimposed on us by myth, gods, the afterlife, transcendence. and that - well - really pisses us off.
the first two strophes seem to merely depict the circularity of the movement rising up and falling down, pointing out that this was intended from the start:
... the impulse that deliberately fall ... spiritless action ... a world that was left behind ... might be related to mankind's will being kinda nihilist in nature even when it seems to be directed towards good and progress. people did
burn the greenwood order of the vertical path, tearing down trees to build tools and instruments, and they
crawl in the remnants of one thousand lies, because the result of their efforts wasn't exactly as happy as expected.
in short, evolution was doomed to fail. the actual
zodijackyl light looks like a metaphor for our destiny (zodiac/predictions/fate) written in the light of an evil star (jackal/revenge, again).
and as soon as we go wrong, as soon as sin is committed
(waiting for ... the spark of sin), punishment from above will arrive
(the beast of heaven) crushing down faith and painting our world in chaos.
then, what went (ethically) wrong will burn:
oppression, as in slavery,
inventors, as in building machine against nature's laws,
the killing hand, as in murder. what was good might ultimately be destroyed as well, by the sheer strength of this celestial retaliation. mankind might try and resist, but only if it doesn't close its eyes and accepts the misery inherent in the process
(... i shall not be blinded ... feasting on debris from celestial wars...).
after that, we get to a more 'technical' part where we see how this wreckage might be brought upon us. we have
the sequence of the nucleus,
burning with
glowing dust: this is probably about nuclear reactions and stars bursting (it's a very common theme in dt anyway).
the last verses hint at the fact that light/darkness polarities in truth support each other since recognition with dichotomies happen this way: you know what one thing means because there is the other to compare it to. punishment/faith may be seen as being in the same situation.
maybe there's more to it than this, and maybe i'm dead wrong, but that was just a try.
rahvin.