Isolation Cabs

My instinct and experience tells me that using a THD HotPlate and AltiVerb impulse responses is a better way to go if you want the best tone possible while keeping things quiet for your neighbors. Still, nothing beats a miked cab. If you have the means, I highly recommend it.
 
Yep. In the past I've rented or borrowed amps & cabs and taken them down to a cheap rehearsal room and re-amped previously recorded DI tracks with decent results. Saves the neighbours and you get a mic recorded cab for little cost.
 
I've read on forums that quite a few people love it but some hate it.
Just like almost every piece of gear I've read about.

Everybody's X said on HC that he has it and likes it but then he had another post that said it sounded like crap but I don't know if he was refering to the box or his playing at the time. Chime in Everybody's X!

I kinda get the impression that it may depend on the mic being used.
 
RootBoundApollo said:
i'd like to know if anyone's EVER recorded a great sounding album on one of those. no really, I'd like to know.

damageplans last record if i am correct slipnot used them live too

i think there not as good as i thought you lose lots of frequencies with
the isocab i now just run the signal back through a 2*12 or 4*12 cab sound better imo
 
They can be boxy if you come at them like they are a 4x12 in a room which they aren't. If you deal with the boxiness with selective cuts IMO you can get usable sounds with it. I wont say great sounds because I can only base this on my on work with it and I am not going to call my recordings "great" because that would make me a douchebag HAH

Hear/judge/decide for your self IMO in can be absolutely fine in the right hands, which may or may not be mine

http://www.allcapsrecording.com/perish.MP3
http://www.allcapsrecording.com/acts_of_desperation.MP3
both 421 on the V30 quad tracked triple xxx and a triple rec
http://www.allcapsrecording.com/armand_assante.MP3 (this one is phasey from when I first got the cab, 57 off axis 421 on. I liked it in the track so I left it, I think the amp was my boogie 50 caliber

and my take on mouth for war
http://www.allcapsrecording.com/mfw.MP3
TSDX>marshall 2550>randall quad tracked
Clown did verify to me that they used them at indigo ranch, but he is a drummer, albeit a drummer who is very into recording

Let me upload a single track for you to hear

BRB
 
EX, it sounds awesome, don't get me wrong, but it has this inherent 'thin' quality to it, and almost sounds POD'ish. Do you know what I mean? It just lacks the power, balls, and girth of a 4x12.
 
well I would be inclined to think it is more in my engineering than in the cab itself, but then it is NOT a 4x12 and isnt going to ever sound like it is.
I am working on it.
Point is,
I am reamping guitars at 2:30 in the morning with a cranked marshall head in my basement. My wife is upstairs asleep. My neighbors are oblivious. Life is good. Is it ideal? No, is it useful? Definitely
 
EX - Thank you for chiming in and posting those clips.
Sounds very good to me. When you said, "If you deal with the boxiness with selective cuts", I'm assuming that means cuts with eq? Also that quote tells me that it doesn't sound out of control horrible before the cuts.?