Knock you self out! (mixing)

That Elephant comp is really somethin nice... although I think I've resolved, after this track, to not bother pushing my tracks up to 'commercial' levels, like 9dbRMS. It just kills the entire mix and there's no need for it... I'm gonna try to aim for a little lower and leave the mastering of my commercial products to actual mastering houses!

Depends on what software you're using and the settings, I guess. With short release times and the correct amount of compression I think it's not that difficult to have a loud but not dramatically af(/de)fected mix. :)
 
Hey Peter, might I suggest leaving a little bit more low-end in that snare. Perhaps maybe cutting some low-mids on the guitars, which will open up your mix quite a bit. Something tells me you may be over-mastering a little bit too. I'd say focus on the mix before you attempt to get tons of level out of it!
 
Mine was pretty much all Reaper. I think the only non-cockos plugs were Voxengo Elephant on the mix bus.

Your mix sounds like you're pushing way too much compression on the master bus, the whole mix is slow-pumping like crazy. Probably a bit too too much snare bottom signal as well.

Thanks for the tips man. I'm pretty inexperienced with compressing the master bus - I just kind of stuck a limiter on there and didn't mess with it too much.

I really like all the different sounds everybody was able to come up with using the same tracks.
 
Do you know what would be great if you gents that presented a mixed version...give some back ground to what you did to the mix.............
 
Haha well I think for the snare the credit goes to Mr Slate. I used this as an opportunity to try out some of his kick and snare samples. The Snare is 'Snare 1 Z1' with a decent amount of its Z4 ambient sample mixed in... given that this is a metal track and not a rock one, I thought the decay time needed increasing, so I also sent the snare to Freverb2 to extend the 'pshhhhh' time. On the whole I think it's a lot more ambiance than I'd ever use on a snare otherwise, but it seems to have come up okay all the same. The Z4 is great! It goes hand in hand with plug-in verbs to really pop out of the mix. The snare was replaced 100% (mainly coz I was testing out the samples on the mix, so I did it all real quick). I ran it through one instance of Waves SSL Channel boosting about 3dB on an 8K high shelf, and about 5db at 6kHz with a bell EQ. I also added +12dB with the low shelf, at 80dB.... this could be where all my wasted low-end energy is going, hahah... but I can't help it really, I don't seem to like thin snares. Oh also I think I'm taking off about 3dB with the SSL Channel compressor section.. this along with whatever comp Steven used on the sample itself is responsible for the 'snap'.

Sounds great. Which kick is this btw?
 
Thanks! I've just checked and it's Kick 15. After all the processing I did on it, it actually sounds a lot like the kick sound that Ronnie had tracked, except that being a sample it's a lot more consistent.