I am loving MM to be honest, at fist I didn't care for the OHs, but they did grow on me. I do add in x-drums for additional splashes as I don't care too much for the one in MM. My one big complain with MM is the crash mutes sound like they where barely tapped when the velocity is set to 127. With TMF, it sounds just like the normal crash @ 127 but then is muted, so I have to X-drum a cymbal for cymbal mutes.
At first I was using 2 main cymbals and the HHs from TMF, but I like coherency of the samples in the OH and room mics, and because they where recording in different environments, don't mesh too well. I might try to go back and tweak with it, becuase I did really like the cymbals and HH in TMF, but as of right now I am pretty content with MM and I prefer using as little X-drums (and sample replacement) as possible for coherence or glue of the whole kit.
One big thing I like about MM is that is is processed, sure, but it isn't overprocessed. It has enough to sit well in a mix as a quick notepad for songwriting without needing to mix it to get an idea of how things will sound, but for serious mixes, you can still add processing to really make it fit in the mix and have its own original sound. Blending/Replacing shells with some Raw samples for sale by fellow sneapster can really let you get an original sound so it doesn't immediately scream MM at you when you hear a mix.
Just though I'd share what kind of sound you can expect with ZERO post processing skills.
