“...It’s really shaping up to be better than I thought it would be, and I swear to fuck I’m not just saying that!”
Should this be interpreted he expected it to suck, or it's shockingly good? Let's find out...
"...a lot more straightforward as far as song structures go."
So like Transference and many songs on IWC. Depends if this is good or not. Don't fucking dumb down the music to appeal to wider audience. OK, I understand, who wouldn't capitalize on the possibility to score gold vein cash and live a good life. But still. It's sacred art. Bodom fans are musically intellect and enjoy deep and rich composions as long as they have feel. Of course it was I that kept suggesting a few years ago they should try simplifying the songs (like Hypocrisy), sacrificing technicality for atmosphere, which they tried with IWC (except they forgot about the atmosphere part a bit). This time I tried convincing them to shorten the songs' duration whilst increasing speed, to make the songs seem more rich and full despite having only the same amount of musical information...
"...we started cutting bits, stripping it down a little bit and getting rid of all the extra shit!”
Like what, solos? They wouldn't get rid of good tidbits and nyances, would they? Sounds concerning. When you make songs too simple, they may be catchy and flowing, but they will lose their charm very soon, instead of getting better over the years like their older material.
"...it’s an actual song that’s about a minute long."
They had an intro on RRF (that they decided to use only live) and it was better than the album itself, would've been too promising... Why would they play a minute-long song live? I guess only as intro to the 2nd track. This explains why eleven songs.
"I Worship Chaos was also pretty straightforward but it’s got more of a rock’n’roll vibe to it."
More rock'n'roll vibe than IWC, how is that even possible for them...?!? And at the same time Jaska claims it's like Hatebreeder. What the hell?! Maybe it means it's faster but simple, creating darkness in this way, like a psychological trick: when nothing's happening, you expect something eerie looming behind the corner... but it never comes. Like creating suspense without climax. That kinda sounds dark, but isn't satisfying for many listens. I hope these are just my neurotic conclusions. Please let me be positively surprised.
Sounds like they're sticking to comfort zone instead of challenging themselves as musicians. COB is supposed to be wildly creative and musically impressive, not just rock and roll. Does it still come from the heart, or have they gone full commercial? Maybe I'm putting too much emphasis into straightforward and rock, because it was a short interview that didn't dig deep at all.