- Apr 20, 2005
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Ok, I guess we all here do our best to avoid phase cancellations when putting many microphones on an instrument like drumset for example.
I did some experiments lately:
I zoom into the audio files of my sequencer until I can see the waveform properly, then I
move each file so it match with the overheads phase and invert it (only) if necessary.
The sound is often fuller with better lows, more edgy trancients. So I wonder if some of you do this, and what's your opinion about it. Is it "ethical"? Does it make sense?
I did some experiments lately:
I zoom into the audio files of my sequencer until I can see the waveform properly, then I
move each file so it match with the overheads phase and invert it (only) if necessary.
The sound is often fuller with better lows, more edgy trancients. So I wonder if some of you do this, and what's your opinion about it. Is it "ethical"? Does it make sense?