I recorded Di`s into each interface, then reamped with the corresponding interface.
Dude, I am interested in your tests, but can you please avoid mp3 compression and sites like soundclick which stream via a bitcrush method.... just upload wav's to rapidshare, the internet r teh fast now!
One thing I heard about the Profire is that their drivers suck ass. Can anyone comment? How stable is recording all eight analog inputs at 64 buffer size with CoreAudio or ASIO drivers?
I feel my Profire GAS rising rapidly... But they're still not in stock at DV I'm ordering mine as soon as they appear.
Owning a FP10 myself, I instantly recognized which was which. B sounded just like my FP10, whereas A sounded cleaner and more defined. As if B had a flu or something compared to the A.
Same here dude. This shoot out really convinced me that there's nothing wrong with my FP10. I'm also going to sell my FP10 and go for the Profire.
How about Firestudio comparing to FP10?
That was almost as epic as the "yes" on the front page
Most people will describe a brighter sound as "clearer" right?
Ok, I'm not a tech, so please, don't quote me on that....
But...
When I hear a brighter sounding preamp, I can't help but think this is because of the input impedance, especially when using dynamic microphones such as sm57.
From observations, a higher input impedance is not better nor worst. It's brighter sounding. It can be really cool with certain mics and sources, it can also be a real pain.
So let's look at specs.
Firepod: 1,6 kOhms
Profire: 3,7 kOhms (!)
That's significantly higher. Enough to have an influence on the sound.
As a matter of example:
Api 512c: 1,5 kOhms
Thoughts?
If you are tech guru please chime in...
Bump?
Anyone?