sm57 vs sm7 (clips)

barricade

Giggity Geschmougen
Oct 31, 2007
803
1
16
So i had a little spare time today and recorded Goddamn Guitar's DI tracks with a sm7 and a sm57. I tried 3 positions with each mic (center [c], between the center end the edge of the dustcap [de], where dustcap meets the cone [dc]).

Cables: Proel DieHard
Reamp box: Radial X-amp
Preamp: digi002 preamp
Amp: 5150 mk1
Cab: Mesa/Boogie rectifier oversized


sm57c
sm57de
sm57dc

sm7c
sm7de
sm7dc


I can't decide between sm57de or sm7de . I will have to try them in a mix... i think that the sm7de could get buried in the mix because it's darker... dunno...
What is your favourite?
 
Sounds way more similar than I would have guessed. The sm57 has slightly more bite which I guess would work better in the mix.
 
The sm7 was flat, no boosting or cutting on its filters.

It was the red channel, the volume was at 3. ...but i need to retube my amp... the tubes are about 3-4 years old!

I figured that i don't like the center position on my 5150... the 1 cm from the center sounds better!
 
Yes, sure, i would use it later on in the mix... but the sm7 mic has integrated only bass rolloff and mid-range emphasis!
 
I still don't understand how a passive mic can have a "boost"...

maybe the "flat" position is actually a cut, and "presence boost" is the signal left un-resisted. but they call it a presence boost because no one really wants to cut out high end, so if they called it that no one would ever use it. just a theory :Smokin:
 
Don't know if you could.. but are you able to do a comparison of these on clean vocals? I'm looking into getting an SM7 but I mostly do cleans. I love the vocals on the latest Paramore which I think were done with an SM7, but a comparison with something I've already got (57) would be awesome.
 
Don't know if you could.. but are you able to do a comparison of these on clean vocals? I'm looking into getting an SM7 but I mostly do cleans. I love the vocals on the latest Paramore which I think were done with an SM7, but a comparison with something I've already got (57) would be awesome.

Sorry... i never used it on clean vocals... but it does pritty well on screams (like everybody sais).
 
maybe the "flat" position is actually a cut, and "presence boost" is the signal left un-resisted. but they call it a presence boost because no one really wants to cut out high end, so if they called it that no one would ever use it. just a theory :Smokin:

+1 to that... that's what i was thinking!
 
That's some real nice tone dude. Can you share the settings on the 5150?

-Joe

Ts-9 (808mod)

drive 9 o'clock
level 3 o'clock
tone 12 o'clock

Red channel (high gain input)

Gain 3
Bass 9
Mid 4
Trable 6
Resonance 8
Presence 4
 
yar that's what i'm sayin, i'd imagine you'd wanna roll off for a guitar cab 100% of the time. they call the other switch a "presence boost" in the manual

Yes... my mistake... i misread that about hi-pass... i thought u meant presence boost... :blush: