Now I'm just about set equipment-wise for the upcoming Vortech gigs:
Going to buy the floor monitor later in fall.
The plan is the same thing I pondered upon earlier:
4 mono tracks of drums (kick, snare, overhead, toms)
2 pre-recorded DI tracks (bass and backing guitar)
1 mono track of electronics/synths/effects
the reason why I still decided to use reamping live is that it provides extra monitoring for me and the vocalist, in case the venue monitors aren't up to it (or don't exist at all! until I can get the one I'm going to buy). And it's not really about reamping being a problem, since if there is a problem, it is "backing brain" related and will take down pretty much everything at once, so... living on the edge
I guess I'll take a spare mp3-player for at least something, just in case.
The signal goes from the WAV source files running on Cubase/laptop -> Fireface 400 ADAT Out, and two reamp signals from line outs -> ADA8000 -> 5 balanced signals to FOH, 2 DI tracks to amplifiers
I guess I could use the ECM8000 to record some rough live recordings too Mostly it's for room measurements though 
- Behringer ADA8000
- 9 pcs of Cordial CTM 10 XLR-cable (Neutrik plugs)
- Thon gear case
- Radial ProRMP
- Digitech DigiDelay
- Behringer ECM8000
- Rockbag Rackbag
- Adam Hall 8755 rack adapter (for the Fireface 400)
- Neutrik NA3 MP
- Thomann-velcro tape
- Mutec ADAT-cable
- and some gaffa tape
Going to buy the floor monitor later in fall.
The plan is the same thing I pondered upon earlier:
4 mono tracks of drums (kick, snare, overhead, toms)
2 pre-recorded DI tracks (bass and backing guitar)
1 mono track of electronics/synths/effects
the reason why I still decided to use reamping live is that it provides extra monitoring for me and the vocalist, in case the venue monitors aren't up to it (or don't exist at all! until I can get the one I'm going to buy). And it's not really about reamping being a problem, since if there is a problem, it is "backing brain" related and will take down pretty much everything at once, so... living on the edge
I guess I'll take a spare mp3-player for at least something, just in case.The signal goes from the WAV source files running on Cubase/laptop -> Fireface 400 ADAT Out, and two reamp signals from line outs -> ADA8000 -> 5 balanced signals to FOH, 2 DI tracks to amplifiers
I guess I could use the ECM8000 to record some rough live recordings too
Mostly it's for room measurements though 
But yeah, the coloured Cordial stuff has some sort of powdery lubricant on them so they won't stick like flypaper though.
