Why stay locked in the neo-classical closet when you can make more money with a slight change to your songs? Overall, I dig it. But, I can't say I'm as sticky a listener as others...
Symphony X will not make a huge amount of money regardless of what they do because they don't tour often enough. That argument is invalid.
my 2 cents: most of the prog-metal (or even hard rock) bands that signed to Nuclear Blast, issued their heaviest records ever, I'm thinking of Rage, Threshold, Gotthard and of course Symphony X. Amorphis haven't got heavier but they got back to the growling vocals.
Is it a coincidence or on purpose? No idea, but it seems a fact to me.
I haven't heard the new Threshold, but I'm apprehensive about since their old vocalist left. I LOVED Dead Reckoning but haven't kept up with them since then.
Edit: listening to 'Ashes' now, not sure I like Wilson as much as Mac but so far I'm digging it.
The songs being well-balanced between all instruments is something I really miss from Symphony X. In the pre-Odyssey days, the guitar didn't step all over everything, nor was it super high in the mix. Now it's practically all you hear. The keys were weak on PL (while the bass was decent). The bass on Iconoclast might as well not even be there, whereas the keys have come up a bit and have songs centered around them. They just seem to have trouble making a recent album where all the instrument levels are perfect.
I'm not sure if Romeo does the engineering himself, but they should probably work with someone else. They've had the same problem for years.
Oh, I beg to differ. I think The Turning is clear filler, and Incantations, while decent, isn't up to par with the rest of the album. Luckily, The Odyssey, Accolade II, Awakenings, and King all make up for it. Inferno and Wicked are both damn good, as well.
I love The Turning so much. It is the epitome of virtuosity in metal, it so hard to play. Plus I love Russ's vocals on it.
I'm all for it, especially so they can make the bass tone more like it was on PL. It's so buried in the mix on The Odyssey (and V, for that matter). The whole sound of the album is just too... compressed, maybe? There's something about the tone in general that I dislike. It seems flat.
Yeah, I agree. I think PL was their best overall produced work. The Odyssey has a lot of engineering issues that bother me, mainly the bass like you said and the keyboards being so buried in the mix.