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In Children of Bodom, synchronized melody lines are played in unison or in harmony with the guitars. Do you try to emulate guitars, or do you come up with more contrasting timbres?
For the past three or four albums, I’ve been using the same lead sound, which is a Korg Polysix emulation on JV-series
Roland synths. Originally I used the
JV-2080. Now, I use the
XV-5050, which is based on the same architecture. But the XV-5050 has USB on it, so I can use the computer to edit and store stuff. I use a patch made by Jens Johansson, and I run that through a
Turbo Rat distortion box. I just like the distortion lead sound. When Alexi [Laiho, guitarist] and I play these lines, we try to bend in unison. But I’m not trying to make it sound like a guitar. The distortion makes some people think I’m trying to play like a guitar, but I’m not.
Do you use any other effects?
I use a
Boss CE-2 chorus and
NS-2 Noise Suppressor on my leads. The chorus is before the
distortion; the Noise Suppressor comes after. I get a lot of noise sometimes. Maybe it’s from my power supplies. Recently, I’ve been using the
MXR Carbon Copy delay on my leads. I don’t know how I played before without this delay! So the delay is at the end of the chain. It’s not mixed very loud, just enough to smooth things out.
What controller keyboards do you use live?
All of those are
Korg X5s or X5Ds. The X5 is so small and light, and I really like its feel. It has pitch and mod wheels instead of the usual Korg joystick. I’m so old-school with that stuff—I like using the wheels! I overbend with joysticks. It’s too bad they don’t make those anymore. I literally have ten of them. I started buying them because I don’t like the keyboards that are made nowadays. I play one onstage, but I have a backup at every show. Sometimes, when we do the big headliner shows, I have two keyboards on stage. One is at my keyboard station, and then another is down at the end of this walkway onstage. I also have a spare Roland XV-5050, although that has never failed me.
[...]
Janne with some of his favorite studio synths.
Front: Korg X5 flanked by Genelec monitors.
Right: Nord Wave above Roland Juno-106.
Far right: Wurlitzer 200A.
Back wall, left to right: Korg X5, Hohner String Melody II, Roland JD-800.
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Let’s talk about some important sounds used on specific songs you’ve recorded.
On “Living Dead Beat”, the first song on the Are You Dead Yet? CD, the intro starts with a
synth bass. This is from the original demo Alexi and I recorded, before we went into the studio. It was a
Nord Lead Rack combined with something from a Roland JV—just a killer bass sound. We tried to recreate it in the real studio sessions, but everything we did sucked compared to this demo we’d recorded drunk in the middle of the night! So we used the track from the demo. We also recorded Britney Spears’ “Oops, I Did It Again” for our recent cover album Skeletons in the Closet. On the original, it’s a sampled piano down low. When we recorded the drums at Finnvox, the studio, I thought, “Hey, there’s a great grand piano in here!” So I used that—
a Yamaha concert grand—for the beginning.
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