Would you kindly try to read what I write rather than just taking it in the most negative way possible? That comment was directly in response to the fact that Poison Seed was complaining that he's sick of hearing griping about the album. There is nothing CLOSE to an implication that I'm trying to be on my high horse about not downloading the album, etc. But I do think I should have the opportunity to voice my opinion on it 2 days after the release without being told that the topic is over and done with. I don't think the gag order should be in effect 2 days after the actual release..
Sorry, I'm just used to the mostly acerbic posts you make in that other forum.
Inflection is often lost on e-mails, and forum posts. And yes, I'm aware it works both ways....
No, I agree there should be no gag order whatsoever, if he or I don't want to read the posts, then they should just be ignored, and not commented on.
But I LIKE commenting, so lets go......
Did I not say explicitly that NO ONE knows exactly how to measure the quality of music. Last I checked, I was still included in the category of EVERYONE. Once again, you've opted to take a simple statement and assume I'm saying it from the most asinine perspective imaginable
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See response above....
If you want to make the claim that art is completely subjective, and all that matters is how it resonates with individuals, you can measure better and worse quite easily. Album Sales. ie, the volume of individuals who like it. Meaning Jessica Simpson is kicking ass, and comparably Symphony X and basically all bands in the genre are not doing so hot..
I disagree. I'm trying to keep our discussion on art away from "art as a business" I don't relate to the herd mentality where the more people like/buy something, the better it is(and I'm NOT saying that's what you are implying!). And you are correct, if we look at Sony BMG (or whatever company/label Simpson is on) financial reoprts, I'm sure they are doing better than IOMA in a business/profitability sense. It doesn't make anything "better" because more people like it. IMO, of course.
I would never make that argument, I would say it is objective but extremely complex so we struggle to understand it. It's precisely the same concept as with morality. If you try to define what is morally right as purely in the eye of the beholder then Ted Bundy and Ghandi are on equal standing. There would be no room for rules or truth about morality, it would just be completely undefinable.
I guess I believe that there are general rules when it comes to morals, but thats a whole seperate argument altogether. We should probably save that one for a rainy day on a different forum.....
But there are a few general rules we establish in either case - we generally say it is wrong to kill others, we also generally say that a song should have emotional strength and be catchy. Once you begin to establish SOME rules, you're obligated to a reality that there ARE rules governing 'good' and 'bad' in either case...it is trying to understand those rules that people dedicate their entire lives to (in either instance).
But who is going to get everyone in agreement as to what the rules, no matter how general, are? While even you and I might agree to those general rules, there may be one or a dozen who will disagree with us. That's why I'm saying that we'll NEVER see anything definitive that defines good/bad art or music.
You have that backwards.
No, they aren't morally wrong, what would morality have to do with it? It's not wrong to write a bad song and not righteous to write a good one. Bad musicians do not inherently go to hell; Steve Vai does not have a free pass to heaven because he's a great guitarist..
I have a problem with the desecration of religious symbols. NOTHING good ever comes out of that.
Artistically YES they are fricken wrong. If I squiggle all over a canvas it is NOT as good as Starry Night, and if some hypothetical individual perceiver tries to argue otherwise that does not mean he is right because it is his choice - he's wrong and he's an idiot. Now before you fly off the handle again, I'm not calling anyone who likes PL, or likes any album I don't like (or vice versa) for that matter an idiot. But it is NOT just a matter of taste... SOMEONE is right, and SOMEONE is wrong. Problem is there are so many factors that would go into actually qualifying something like that - many of which we haven't even figured out yet - its unlikely anyone will ever know who was right and who was wrong. Still the basic truth remains that if one person says A and the other person says NOT A, they can't BOTH be right.
I think this is where you and I have our disconnect. Without the qualifying factors, sort of like innocent until proven guilty, I can't call someone wrong, for what they like or dislike musically. I might say "That dude's got some weird tastes" or "That guys fucked in the head" (possibly a definition of "idiot"
) Lets not make the example so drastic. I say Rembrandt is a better artist than Monet. You disagree. Who is right? Who is wrong? I hypothetically (not literally!) ask how can one be "better" than the other?
Do we go by auction prices on the paintings? If there are no definitive factors, than we can't definitively call each other right or wrong
I'm really not trying to be a dick, I just am trying to explain my perspective on things, no matter how skewed you might declare them.
If all that matters about music is the creators take on it, why should anyone ever share their music with anyone else? If you can honestly say that when you write music you don't care one iota about anyone else's opinion, you should be perfectly content to just make music privately for yourself and listen to it yourself, and that would be the extent of your foray into music. But a quick look at reality would show that clearly people not only want to share their music with others, but want the approval of others. Artists like Symphony X have decided to make their living off of their music - that implies an enormous reliance on the opinion of others. If you were going into business to sell a product, you think about how your customers are going to feel about that product, you can't just start selling something everyone hates and say 'I don't care what you think, I like it'. Commercial bands are SELLING their music - and that means they have to think about public perception. Again, please don't read anything extra into this about PL or SyX, this is purely in response to your claim about music being the product of just the creator's taste, which I disagree with. While a creator choses a genre and style that suits his own musical tastes, at some point when writing he has to consider peoples interpretations. When John Williams writes a score do you think he is considering how the music will effect the audience, or do you think he is just doing whatever the hell he wants? Just stick a polka over Star Wars if that suits his mood? Or would you argue that somehow what Williams does does not qualify as art? How about the entire classical period where music was composed specifically to the tastes of royalty who commissioned the works, in prescribed forms no less? Or check out the recent DT interview with Petrucci where he says outright that he wrote the main lick of The Dark Eternal Night with the intention of having a lick that people could instantly identify and connect with?
You bring up a good good point about royalty dictating during the classical period, but like I said, once you combine business & art, I think motivations change. I'm NOT saying that commerical music doesn't qualify as "art", nor are the creators of such music any more, or less, artists than those who don't. I'm just saying there's extra baggage involved. I'd actually like to hear Williams throw a polka over anything...
You say you as a composer are compelled to reach new heights... just by saying that you are implying that there is a definable 'better' that you are aware of - implying a scale of quality and thereby implying objective and tangible rules that define good, better, and bad. The argument that art is a matter of individual taste logically negates the idea that as a composer you should never be 100% satisfied. If it is purely up to your taste you should be able to be satisfied the second you like what you hear and then you would never have to aspire to anything 'more'. If you spend months writing a song you think is amazing and then someone comes along and shits on it, don't you want to be able to think that that person is wrong? The way we all perceive and approach art implies objectivity - people like to have standards, they like to care, and they like to think that when they say a song is beautiful there is more to it than just their opinion - they want to know they are correct in a real and tangible sense to say that..
When I say not to be satisfied 100%, that is based on ones own limits/goals they set for themselves, NOT comparing them to everything else out there.
Because of the lack of quantifying, the person who shits on my song I wouldn't consider them "wrong", in a black/white sense. I think this where we aren't seeing eye to eye. I'm perceiving that your right/wrong good/bad is black & white, and not susceptible to any "wiggle room". Now, in this follow up post, you have clarified that may not be the case, and that is what we are striving towards? Please correct that if I'm wrong. IMO, I don't think you or I will ever be able to definitively agree or prove what is good or bad. and that's pretty much what I've been trying to say since the beginning.
Just to reiterate so there is no confusion - I DO NOT HAVE ALL THE ANSWERS TO WHAT DEFINES GOOD AND BAD IN ART. We're all here to try to understand that - none of us fully do. But just like in morality, where I certainly do not know the full detail of what 'right' and what 'wrong' are, I do operate (as most people do) on the understanding that the concepts of 'right' and 'wrong' exist and are somehow tangible enough that we should at least TRY to understand them. 'Good' and 'Bad' exist in art just the same way, and like in morality there is tons of distention and debate, but that doesn't change the fact that the REASON we care is that we know 'good' and 'bad' in some sense do in fact exist.
Agreed for the most part, I just can't fathom the laws that will dictate good/bad, and won't label art/music that way unless it's from my perspective, or IMO. I have my own personal standards that I adhere to, as does everybody else. We all have our own opinions on what is good/bad. Thanks for the reply, and sorry to those who read through all this and think we're both fucked in the head!