All shows I've heard with a 5150 had nothing but BZZZZZZZZZZUUUSCHHHHHHHHE *chug chug* BZZZZZZZZZZSRRRRRRRRR treble
uke: And you could barely define what the player was playing. And there's been 10 different venues I've heard it in.
As for the Recto, it's much the same as the 5150, except slightly thinner in the low mids. Always makes me wonder how the hell did they manage that?
Or it's a nation-wide conspiracy in the live mixing community