I wish Twin Peaks wasn't fucked with and tweaked by the network all throughout it's second season so there could be more closure, but at the same time we would've never gotten the amazing final episode.
Arrested Development should have never gotten canceled, and fuck the brain-dead American public.
Ren and Stimpy with John K? DEFINITELY. Every time I see a rerun and recognize Billy West's dumbass voice on Ren, I turn it off.
Rocko's Modern Life was BRILLIANT. Meditations on consumerism, what constitutes artistic achievement and poverty for KIDS? Sometimes on the cesspool that is children's television, a gem
will appear.
Seinfeld shouldn't come back, but damn was it ever the sitcom to end all sitcoms. It was an anti-sitcom really, the jokes and situations all being far too high level in terms of usual shit that makes it onto network television. Example: Kramer thinking a guy looks like Salman Rushdie at the gym, in the sauna asking him his name, to which he gets the aggrevated reply: "salBASS." Kramer thinks it is Salman, and tells Jerry that he probably covers it up with Bass due to people mispronouncing his name as Salmon, though since it's not Salman Rushdie, the guy must be mistaken for him a lot."
Now this is funny on multiple levels, as Kramer's neurotic insanity continuously makes his speculations on the matter funny. But let's analyze this entire joke here: Does the average sitcom viewer even KNOW who Salman Rushdie
is? Or why "Salbass" would be a signal for one to spit out their drink laughing? No, they'd probably just be stupefied into laughter by Michael Richard's over the top performance (which they should be, I am constantly
), which would keep them watching.
That's pretty much the show in a nutshell. It somehow found a sort of impossible to reach level where it could satisfy both fans of complex, smart comedy and slap-stick/screwball sorts. Really, a brilliant show.