Ayreon Guardian X
Ultimate Metal Lurker
I didn't mean to start anything with you...as you probably guessed...I just wanted to state my opinion of the album now that I have heard it...it is VERY progressive, but not very metal...I guess that I was expecting something different than what was on the disc...I would actually like to hear any other Pain of Salvation albums, and then make my assessment of the band once I have heard every album...overall, they seem like a talented band (maybe not as instrumentally talented and showy as bands like Sym X, Dream Theater, and Shadow Gallery), but the talent seems to lie in the writing and composition, not as much in the shredding and blistering solos.....overall, they seem like the "Primus" or "Pink Floyd" of current progressive music...Barking Pumpkin said:Did you guys read all about the concept or something before hearing the album?
Before I got it, I didn't know anything about Pain Of Salvation. I got 'BE,' and listened through it a lot. I absolutely loved the music, and then after basically memorizing the album I listened through with the lyrics in hand to try to understand the concept.....very last thing to happen for me with the album.
One of the elements that stands out immediately is the orchestra. I haven't heard a "metal" band use orchestra like this before. Daniel Gildenlow really uses the orchestra, with classical techniques such as four-part writing, complex harmonies, counterpoint, etc. The same way he does with the band on other albums. Then there is the real musical concept here. This is the most conceptual "metal" album I've seen in a musical sense. The classical method of developing a theme and making variations on it really stands out for me. The piano track you mentioned, "Pluvius Aestivus." The piano melody above the arpeggio line is the melody and variations from "Iter Impius." It starts with the orchestra behind it, and over the course of the song it switches and you have the orchestra doing the Iter Impius variations. Then you see all kinds of other instances of this classical method throughout the album, too many to note (sorry, corny pun). Besides the musical stuff, Daniel Gildenlow's voice is of course as amazing and expressive as ever.
And you're right.....it's not intended to be a "metal" album, although it does have its "metal" moments (Nihil Morari, for example) but it is an amazing progressive concept album. I don't see it as a "problem" as you noted it at all. Probably even a positive thing. Pain Of Salvation have never been a really heavy band, so it's not much of a stylistic change in that aspect of the music.
Oh....one other thing. The point that you can't compare it to Dream Theater or Symphony X or Shadow Gallery or whatever is a good thing to me. That's what makes it progressive. There are lots of bands that when I listen to them I could say "this sounds like Dream Theater," and that doesn't make a great band in my opinion.
Also, I bought Pain of Salvation - "Be" after reading mainly your glowing reviews and hype about it...I had no idea what it would be like or what Pain of Salvation sounded like as a band...I was just hoping it was good...in fact, "Be" was one of the first albums that I bought blind in a long time...so I knew nothing about the concept, and still don't fullly understand it...I merely know that it tells about the experience of God and all of his feelings in creating the human race and some of their faults....that is as deep as I understand it...