NineFeetUnderground said:
adding some sense? my statement made perfect sense.
slaughter of the soul had complex enough riffing. "trademark" tempo changes...god forbid the band doesnt make a 5th album that sounds exactly the same as the rest. At the gates WAS NEVER "progressive" enough to have "progressive structures". Slaughter of the soul hardly had a "sleek" production...maybe smoother than previous albums...but nothing to indicate selling out MR IMMORTAL. :Smug: And as for their Melodies copying other gothenburg bands...that may be true in some cases, but a band starting to sound like 5 other bands in the broad spectrum is a ludicrous argument...not to mention completely irrelevant when accusing them of "selling out" when that small handful of bands they were "copying" werent making ANY money at all.
The things you commented on suggest change or freshness for the musicians, not "selling out". idiot...stop being such an elitest scrooge.
Slaughter of the Soul had tempo changes? I disagree (perhaps a few, but hardly any, compared to prior releases).
At the Gates was never progressive? I disagree.
Slaughter of the Soul had complex riffing? That's just stupid...
And Slaughter was released in '95, if I remember correctly. Same as The Gallery, after Lunar Strain, after A Velvet Creation, after As Tears, after The Book of Truth, same as Carpet, same as The Burning. And the list goes on and on! A trend started, and they jumped on the band wagon as soon as possible.
And I agree, a band shouldn't make releases that sounds exactly like each other, but At the Gates had already made four great releases that didn't sound alike, but were still excellent. They shouldn't have gotten rid of Alf Svensson, as it seems he was the innovative one, because there's nothing innovative about this album. Why did they have to water and dumb it down? And at the exact same time as when the Gothenburg scene started getting some slight media coverage, and a wide fanbase? You don't have to be an elitist to recognize this.
And Immortal didn't sell out by any standards. They had a change of stringmen, and Abbath had a different take on it than Demonaz. Their sound became much broader, but the brutality was still there, and the technicality only became greater. Immortal changed without saccrificing anything. The ony thing that bothers me is that Abbath started using distortion on his voice, but that's hardly selling out.
One thing that also needs to be said, is that Slaughter of the Soul is not really a bad album. It's only if you see it context with At the Gates' other albums that this becomes bad. As a melodeath album, it's about twice as good as The Haunted ever became, although never reaching the higts of Dark Tranquillity or In Flames at their peak.