I think its because I do know what I want to hear, I'm not second guessing. I'm not trying to base my sound on anyone else, or copy anyone else, I'm just trying to get things clear and well played. I guess this is what puts my stamp on things. I'm also a musician and I've been in the business over 20 years, I'd like to think I have a good work ethic, I certainly put the hours in and I think I'm pretty good at dealing with people in general. Where I am didn't come over night and I still feel I have a way to go.
Hi, Andy!
At first, thanks for all of your answers, and thanks, guys, for your questions, some of them was really-really interesting!
As for myself, I have one pretty stupid question)) Andy, I saw somewhere, that you are mixing absolutely ITB now, and I have one question about plugins (sorry, again... What is your favored eq plug for the main heavy guitars in the mix?
I was really big fan of Neve consoles, that's the reason why I have worked with outboard eqs for my guitars, my favored eq is Drawmer 1961, it's really cool for heavy guitars, GML is great too, now I think that my mixes can sound better ITB, but I still can't find the right eq plug for my guitars! I'm using a lot of waves ssl for dirty or clean guitars and waves api for clean but I have not found great plug for heavy dist gtrs yet.
Thanks in advance!
Best wishes,
Alex!
P.S.: Sorry for my bad english!
Another question: considering that the farm is very isolated and full of equipment, don't you fear the burglars sometimes(expecially when you are away from home)? I ask it because I'm thinking about the right place to use for a studio, and this is one of my worries
I have insurance, a shot gun, electric gates and 15 acres to hide the body on.
+1, producer ettiquette is something I feel I need pointers onThat's one thing about a farm--plenty of places to hide a body.
On a bit of a different note:
We're all aware that musicians often tend to have fairly fragile egos. Do you have any particular method of breaking the news that a certain tone, recorded take, talent level, etc...isn't going to cut it and is generally awful?
That is, an approach to telling somebody that and yet still getting some level of performance out of them.
I have insurance, a shot gun, electric gates and 15 acres to hide the body on.
I remember you posting years back about someone scaling a tower and stealing surveillance cameras - what happened there?
+1, producer ettiquette is something I feel I need pointers on
I'm not the most subtle of people and in my limited experience, i've found a great amount of clever wording and subtlety is needed
+1, producer ettiquette is something I feel I need pointers on
I'm not the most subtle of people and in my limited experience, i've found a great amount of clever wording and subtlety is needed
That's one thing about a farm--plenty of places to hide a body.
On a bit of a different note:
We're all aware that musicians often tend to have fairly fragile egos. Do you have any particular method of breaking the news that a certain tone, recorded take, talent level, etc...isn't going to cut it and is generally awful?
That is, an approach to telling somebody that and yet still getting some level of performance out of them.
+1, producer ettiquette is something I feel I need pointers on
I'm not the most subtle of people and in my limited experience, i've found a great amount of clever wording and subtlety is needed
I don't know if anyone's asked, and the pics lead me to say Genelec, but...
Andy, what monitors are you using currently besides the Genelecs? What set sees the most use? What do you like/dislike most about the monitors you use.
When you master your mixes, do you use a different set of monitors, or just reference a few sets?
Monitors
- Bryston 2B Pro Amp
- Dynaudio M1's
- Genelec 1030's
- Genelec 1031's x 5 + 1092 sub
- Yamaha NS10's