I don't need to prove anything that such-and-such sucks because doo-da-band can't nail that fast 16th note on their whoopty-do detuned guitars, because I don't have my music theory book shoved up my ass like you do. Who gives a fuck that there's no "any new concept in metal past distortion and the fast 16th note"? Why can't you be happy for musicians that aren't as "sophisticated" as you are? You're hell bent on having music being technical. Well, tough shit, Aaron.
Inflames replies:
Sounds to me like you're angry that you don't know as much, and that you are trying to make up for people that don't know as much because you secretly would like to know all those technical terms. Yes, the best music is technical, be it jazz, classical, or metal, just like the best reading is literature and not the phonebook.
I don't even know why are you still obsessed with this concept? See, you're preoccupied with music that doesn't fit you taste. You see, there's another person in history that has similar obsessions like you do. His name is Adolf Hitler. I've read the English translation of "Mein Kampf" and his rants about Jews, capitalism, prositution, art, Jews, communism, Asians, music, Jews, America, nationalism, Black people, Jews... they all sound like you; I mean the way he rants. During his regime, any art that Hitler and the Nazi party didn't seem fit to them were labeled "degenerate art" and were stashed away or destroyed. Adolf Hitler and the Nazi party burned books and murdered people because those "things" don't fit their taste. If Adolf Hitler had dealt with accepting different ideas, different people, different art, different music... he wouldn't be so messed up, Hitler wouldn't be so angry at trivial things. So what Korn and nu-metal music didn't have solos? Why are you upset at certain genres of music? Did the Slipknot boys rape your mother? Why couldn't you accept the fact that there are a lot of music that you will never like and there's no point at bitching every one of them.
Inflames replies:
Comparing me to Hitler is really hilarious. You're comparing me to someone who killed millions just because I wrankled your ass on a messageboard. You're, firstly, going too far, and, secondly, groping for insults.
The exposition on degenerate art, I believe, passed through Germany and Austria in 1936. There were two showings, one of Nazi art and one of then-modern art. The modern art show was more popular. I don't need you to lecture me on history. Much like in Russia at the time, any non-Socialist Realist art was sold to finance war preparations.
Accepting of ideas doesn't un-make a killer, it simply makes them a more versatile, adaptable killer, China's government being a perfect example of a state's ability to disguise brutality under a guise of "accepting" global capitalism.
I've considered converting to Judaism. No Jew basher here.
I never was bitching about nu-metal or Korn, I said no new ideas had come out SINCE that time (1994, and 1995's release of the Deftone's "Adrenaline"). As much as I dislike nu-metal, part of it has its redeeming qualities, specifically Slipknot, which I akin more to death metal. It's the clownish presentation that amuses me. They'd be just as heavy, and just as mean if they'd go out and do like our friends DT here...go out, play a killer show, and go home. In Flames didn't even have pyrotechnics in the Whisky, and I was merely blown away watching their sound engineer trigger all the things necessary on a Mac and mixing console to be sure all the little sound bytes from Colony on came in at the right places. I wanted to ask him how to work the board, I wanted to crawl inside of it...I'm more than a music fan, I'm a musician. They overlap and are inseparable.
I am oh-so-curious to find out what your next reply is: "But-but-but, you, Arch, cannot prove that Band X has the ability to do all that wonderful wankery skills. That guitarist with his 7 string guitar wasn't able to do 1/100th of what Yngwie does... well that's what I learned in GIT. Look at me! I went to GIT! Look! I have my music theory books shoved all the way up my ass!"
Flames: I'm not saying a thing about GIT other than, being where I'm from with the income disparity between the South in general and the West Coast, I was very lucky and blessed by whatever runs the universe to see all sorts of incredible musicians broaden my horizons, guys such as Mike Stern (guitarist for Myles Davis), Dave Lombardo (ex-Slayer), former Speak No Evil guitarist Danny Gill (who played nu-metal at the time but started out as a devout Maiden-ite...I went to his open counseling sessions a lot Friday mornings and loved his ability to combine the two), and numerous other people. We had a session drummer come in who did work with Sugar Ray to do rhythm section workshops, and we had official people from Line 6 that showed us how to use the then new (in 1999) PODs and how to get the most out of them. Is this saying, look at what I've had and what you haven't? No, it's saying, look how lucky you were, Aaron, to be exposed to so much, to be exposed to David Oakes classical guitar classes, to have the mystery of theory solved, to see so much, and to retain even 2% of it. And to have fun on Metal Meltdown Friday LPWs! I went in thinking Yngwie was God, I came out thinking that, as hard as that technique is to build, there's more to music...playing "loose, shitty" guitar like Hendrix or SRV, which in my opinion is harder than being technical. But, DESPITE these concessions, I don't like these styles as much because I don't like the sound of weak or bluesy intervals, specifically the dominant 7th and the 13th. They jangle and are too dissonant to my ears. At least in my criticism, I'm a little more valid in why I don't like things, just like you'd be more valid than me in saying why or not you like Linux better than Windows.
Yet, after all this, and partly BECAUSE of this, I respect old school metal more than nu-metal because people could broaden their horizons a bit if they'd just try. Most metalheads agree with me that people who practice more, etc, and work harder, ideally deserve more credit than someone who gets a band signed after a year of pounding some shitty regurged Korn and being signed by Fred Durst. This is not a contradiction with saying metal is stagnant, it's saying, metal musicians (Petrucci, Rush, the real music egg-heads) have the capacity to be more creative than they are, but because of lack of inspiration or lack of desire, they don't. Metal has the capacity to evolve more and not be stagnant, but it isn't evolving.
After all is said and done, I could have went to, and may still, go to Berklee. It's just like being able to read...it opens a whole new world to your eyes. I'm increasingly seeing you being resentful of my knowledge, more than anything else.
Reminds me of a kid I knew in grade school that, regardless of what I said to him during arguments, he could always appeal to the "You think you're better than everyone else" argument. The thing is, it was my word against his, so he could always fall back on it. He was always more popular, and had a number of bands in school. In the end, he tried going to a community college, dropped out (I in turn got an A.A. in one year), had a band, which he later stopped doing after giving up (he was based in Fayetteville), and now I think works at a book binding factory in Fayetteville (the college is there). Good for him, if he's happy, but, because he appeared right at first, didn't mean he got the last laugh. Although I never toured, my "band" was an entity both before and after his, and once my disc of covers and originals is done and I find a singer, it will be marketed.
What's wrong with an anonymity of a networking specialist? It's just like any job and any career that people don't brand their name to. Did you expect a closet full of routers, switches, and hubs with a autographed signature of the network admin? If a person who's a network specialist wants some kind of recognitions, he/she will quit that job and become a musician, actor/actress, politician, or a CEO of a company.
Flames: Not saying there's anything wrong with it. Just saying I would be unhappy with such a job because of the anonymity.
I don't understand what you're talking about. What argument? What statements? Please don't be vague. Am I desperate to win your argument? Of course not, like you said, you're not a mind reader, duh.
Flames: If so, then why continue? I'm not going to concede any points to you. Give it up.
No one expects Mother Teresa to help ALL 50 of those women who had babies from the raping. Perhaps Mother T.'s organization has helped some of the women. A caring woman that shows no condolences for the atrocity. Oxymoron at its best.
Flames: To Catholics, keeping people alive is more important than killing. That's not my place to answer but her's. The issue was whether Bono deserved more credit than her, which he doesn't.
Here's a link with a bibliography of the sources about Mother T.:
http://website.lineone.net/~bajuu/CHAP10.htm
As a recap: Mother Teresa did that (mentioned earlier). Bono is 25% philanthropist (a number Aaron pulled out of his ass).
The deal: Mother Teresa, Bono, Sean Penn, you (Aaron), me, anyone else in the world are self contradictory and hypocritical. And don't tell me you don't contradict yourself. Read earlier posts on this thread from other posters about you contradicting yourself.
Flames: Contradictions arise from specific situations and to manners of degree. The basic points of the entire argument have not been compromised and were that I was going to post whatever I felt like in the DT forum, IF related or no, as long as I didn't disrupt other threads with off-subject topics and kept things to myself, which I have done. There was also the idea that DT was nothing new in metal, which, as much as I love "The Sun Fired Blanks", they're not. Put "Dobermann", "Sun", "Monochromatic", "Punish", and "Dreamlore" "Run Down" together and you'll see several similar approaches. The "similarness" of the music was why I never turned my co-guitarist onto DT ("Man, Aaron, all the songs sound the same to me."). Again, metal needs a fresh boost of originality. It especially seemed similar after seeing GIT instructor Daniel Gilbert's fusion stuff and seeing what little of the musical alphabet metal uses. I felt so small...who cares if I could play a million miles an hour (I couldn't, I was 18 and 4 months out of high school)...could I do a Carl Schroeder-esque changing of key centers in the middle of an arpeggio, changing modes as well as keys? No. Metal's fast, it's hard on coordination and the muscles, but alas, is in E minor most of the time.
At the same time, jazz always tends to sound inane, wandering, and without a key center. Most of it sounds the same to me, also, but, I think comparatively, metal is one of the most stagnant forms of music right now, a sad case considering that at one point it required one of the most highly competent musicians to perform.
Other criticisms have come from the Bono issue and the merit of new metal.
My basic stands on these are, Bono doesn't know what he's talking about and, musicians who are also metal fans have more validity in criticizing than non-musicians.
As stubborn as me? Look who's talking. Hah!
Why would nothing get accomplished? You want to force your beliefs on to Bill O'Reilly and Bill accepting it? Is that what "accomplishment" means to you?
Accomplishment is subjective. Ending this argument would be an accomplishment, and the moderator to end it would deserve more than Mother Teresa and Bono combined. I'm beginning to tire of the redundancy.
I haven't found any sources referring to Bono or U2. You got any more sources you want to show me?
At the moment, no. My ass is full of a theory book, as you say, and I've no room for anything else. I'll get back to you in mid-fall, when my university global politics class reconvenes and researching this information will do more good than just proving you wrong, as it might actually solve a paper for me. In fact, you've given me a good idea for a thesis "Celebrities in Politics: Boon or Hinderance?" Sincerely, thanks. No sarcasm.
One interesting thing I found was Henry Rollins' statement about Bono taking on too many causes, but Rollins like Bono for doing something rather than nothing, which I agree with.
I never said I faulted him for doing something. I asked whether he knew what he was talking about. I like Henry too. A lot of balls, that guy. A good example of a "responsible" rockstar, and an "anti-Manson". No personality needed there, no bullshit or frills, just Henry. And he always has something intelligent to say. Truce on that point.
http://www.u2world.com/news/article.php3?id_article=198
Your stupidity:
- Self contradictions.
- Your inability to accept other people's music and art.
- Your childish mockery of people's avatar; no different with 1st graders making fun of other student's name.
- You somehow think this thread is entirely your's.
- You thought that this forum is entirely your's.