I'm a very, very big fan of John Barry, who did 11 James Bond soundtracks and has done music to 122 films and tv-series if I'm not mistaken! I currently have 30 lp's, 1 single (The John Barry Seven) and 6 cd's of his work. My favorite soundtrack of his is "The Lion in winter" from 1968 and it's pretty different from what he's done before (and after). The film takes place in 1183, so the music is very medieval and dark sounding. His soundtrack to "The last valley" is a bit similar and is also a good record! I enjoy almost any of his soundtracks, but some of my other favorites are "Petulia", "Until September", "On her majesty's secret service", "The man with the golden gun" & "King Kong" ('76). My favorite song of his is "Midnight cowboy". There's actually one song of his I enjoy even more and it's his them for "The Persuaders", but in Geoff Love's version. Love's version has a string section that isn't on Barry's original and it's divine and makes it much better (although the rest of instrumentation isn't as good as the original) than the original. A fantastic track (and I won't use that phrase on more than around 10 songs!)!!!
I also very much enjoy "Do you got a story for me" (Out of Africa), "He catches her" (Until September), "End title - Petulia" (Petulia), "Mr. kiss kiss bang bang" (Thunderball), "Did you call me" (The Specialist), "Playing by heart - Vows renewed" (Playing by heart), "The girl with the sun in her hair" (from a commercial as far as I know), "Follow follow" (Follow me) and loads & loads more!
There's actually one soundtrack that's even better than any of John Barry's and it's "The girl from U.N.C.L.E.". It's kind of funky jazz (as funky as it was possible to be in 1966) and doesn't sound soundtrackish as such. This is actually the only soundtrack that I would call superb! "The man from U.N.C.L.E." and "More music from The man from U.N.C.L.E." are also cool!
I'm not really into other soundtrack composers than John Barry, although I have a couple of other soundtracks ("All the right noises" by Melanie, "The 7th dawn" by Riz Ortolani", "The Godfather" by Nino Rota, "The trial of Billy Jack" and so on). I don't really like a guy like John Williams. I have "Superman", but I heard it once and said "Goddamn, that sucked" and haven't been able to sell the record yet.
I think his sound is kind of too "fantastic" if I can put it that way. It's always heroic sounding and it just sound gross and corny to me. The stuff I've heard from "Schinler's list" was alright though.
The stuff I've heard by Danny Elfman didn't impress me either, but maybe it's because I've heard his "silly" stuff.
After I'd seen "Crouching tiger, hidden dragon" I considered buying the soundtrack, but I downloaded the two songs "Sorrow" & "Farewell", which were the ones that appealed to me and I don't think they work that well without the movie. This is what makes John Barry great. More or less all the stuff I've heard by him works fine without the movie.
After I had seen "Live flesh" I gained an interest in Alberto Iglesias, but I haven't been able to find any of his soundtracks, except for "Sex & Lucia", "Talk to her", "LOS AMANTES DEL CIRCULO POLAR" & "All about my mother". I would really like to get his soundtracks, it's just too bad they're impossible to find.
I think soundtracks have started to turn bad! Nowadays almost all soundtracks are just compilations of old songs (like Pulp Fiction for instance) or compilations of the newest songs by Britney Spears, Destiny's Child and so on. Of course it all depends on the film if it works with a pop song or a score, but it's very hard for me to believe that a Britney song that had been written already matches a really exciting scene in a film. A composer is needed there, like John Barry!