right_to_rage
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- Feb 16, 2009
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Free Raw Samples...this might well be the best sounding kit in the world ;)
- Thread starter Lasse Lammert
- Start date
Empathy
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Empathy
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Spectivum
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HOFX
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- Apr 12, 2012
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TiagoAlves
Member
Deadstar
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These things sound beyond unbelievable. I'm probably making a full kontakt multi- instrument out of it. What d'u think about that Lasse?
Toxic Grind Machine
black neon bob
- Jul 31, 2011
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sure, go ahead.
TCIs etc will be in the next update of my sample packs, alongside the processed samples obviously.
Size: 10,12,16
@toxic: in a heart beat
btw, just finished tracking the drums for twisted wrath....
I haven't started mixing yet, but just with some minor EQ and a bit of reverb it sounds rather promising already:
[ame]http://www.youtube.com/watch?v=uyrPOATUOHk&list=UUQymn7fd9gTMigofzAaC-3g&index=1[/ame]
Killer drummer also
spencerlogan
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- Feb 20, 2011
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fin
Member
Thanks! The samples sound amazing. Question about your typical drum tracking : Do you usually record just a mono room instead of stereo? Really enjoy your mixes.
Differs a lot.
In this case I actually tracked the drums in the small room (sounds great and gives me 100% control over the sounds), and I'm then using the corresponding room samples to blend with the dry mic tracks.
That way a can get punchy and tight sounding drums from just the mic tracks, very controlled sound, and I then just bring in the amount of room I want.
Probably not the most typical way of doing it, but I kinda got used to that method....I've actually never heard of anyone doing it before tbh...
So I sample the kit in the live room, track in the dry room, and then just blend the room sound in via samples.
There's zero gating on the kick, snare or toms in that yt clip, imagine how tight it's gonna be after some gating
In this case I actually tracked the drums in the small room (sounds great and gives me 100% control over the sounds), and I'm then using the corresponding room samples to blend with the dry mic tracks.
That way a can get punchy and tight sounding drums from just the mic tracks, very controlled sound, and I then just bring in the amount of room I want.
Probably not the most typical way of doing it, but I kinda got used to that method....I've actually never heard of anyone doing it before tbh...
So I sample the kit in the live room, track in the dry room, and then just blend the room sound in via samples.
There's zero gating on the kick, snare or toms in that yt clip, imagine how tight it's gonna be after some gating
fin
Member
Thanks for the info Lasse! So the same kit and the mic setup used in these samples were also used in that youtube clip? Sounds great indeed
Mago
Austrian Blech Machine
Sounds absolutly awesome as always.
Very interesting! Isn't it a bit of a PITA to get the mics set up the same way again in the dry room, as you set them up in the live room?
Very interesting! Isn't it a bit of a PITA to get the mics set up the same way again in the dry room, as you set them up in the live room?
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