This is the album by Velvet Crackhead everyone is jizzing over?
10 minutes in and I'm waiting for the intro music to end, then I realise this is it. That was trash.
I'm glad you're at least on the same page about that garbage album.
This is the album by Velvet Crackhead everyone is jizzing over?
10 minutes in and I'm waiting for the intro music to end, then I realise this is it. That was trash.
I'm glad you're at least on the same page about that garbage album.
When it comes to Velvet Cacoon, too much time is spent talking about the frills and too little time talking about the music. Genevieve is a very special album. There are thousands of depressive black metal albums, there are thousands of evil black metal albums, but there are few, if any albums that communicate the cold, inhumane detachment of Genevieve. It's like an out of body experience, or the process of death. Those beautiful, dreamy melodies played with such cold, heartless abstraction. Similarly, there is human voice, but the sounds are incomprehensible and if not flat out dissociative. Then, the album culminates in "Bete Noir," the most extreme manifestation of what was expressed on the previous tracks: a cold, icy void.
It's an easy #1 for the year on my list.
3) Isen Torr - Mighty & Superior
I sincerely love how glib they were in their approach overall, but you really hit the nail on the head about the actual music. It's like the perfect record for scuzzy escapism in the more dissociative passages. I do understand all the flack they get, but I think a lot of people overstate just how bloated the "AtmoShit" genre was at the time. From my memory, the genre was just beginning to really branch out into the various subsects we see today and they really set themselves apart musically.
Gimmicks are lame, but people who claim levy these gimmicks against their fans as if they were meant to be taken seriously of the jump are even lamer tbh.
It just doesn't sound that special to me, especially not when compared to a lot of other much less known stuff in the same fuzzy meandering strumming style.
When it comes to Velvet Cacoon, too much time is spent talking about the frills and too little time talking about the music. Genevieve is a very special album. There are thousands of depressive black metal albums, there are thousands of evil black metal albums, but there are few, if any albums that communicate the cold, inhumane detachment of Genevieve. It's like an out of body experience, or the process of death. Those beautiful, dreamy melodies played with such cold, heartless abstraction. Similarly, there is human voice, but the sounds are incomprehensible and if not flat out dissociative. Then, the album culminates in "Bete Noir," the most extreme manifestation of what was expressed on the previous tracks: a cold, icy void.
It's an easy #1 for the year on my list.
The list I have isn't set in stone so I'm thinking about whether this album and a few others are worth reconsidering for the top ten. It's certainly a great album though.Have you ever checked out Wotan before man? Carmina Barbarica is a killer epic/power metal album.
wasnt it written in like 15 minutes or some shitWhen it comes to Velvet Cacoon, too much time is spent talking about the frills and too little time talking about the music. Genevieve is a very special album. There are thousands of depressive black metal albums, there are thousands of evil black metal albums, but there are few, if any albums that communicate the cold, inhumane detachment of Genevieve. It's like an out of body experience, or the process of death. Those beautiful, dreamy melodies played with such cold, heartless abstraction. Similarly, there is human voice, but the sounds are incomprehensible and if not flat out dissociative. Then, the album culminates in "Bete Noir," the most extreme manifestation of what was expressed on the previous tracks: a cold, icy void.
It's an easy #1 for the year on my list.
I sincerely love how glib they were in their approach overall, but you really hit the nail on the head about the actual music. It's like the perfect record for scuzzy escapism in the more dissociative passages. I do understand all the flack they get, but I think a lot of people overstate just how bloated the "AtmoShit" genre was at the time. From my memory, the genre was just beginning to really branch out into the various subsects we see today and they really set themselves apart musically.
Gimmicks are lame, but people who levy these gimmicks against their fans as if they were meant to be taken seriously off the jump are even lamer tbh.
lyrics are important to that but i'm 15 minutes deep into this album and they aren't even a factor let alone noticeable enough
Probably not, since the album is over 50 minutes long, but why does it matter anyway? I wish more people were able to evaluate music in-itself and not dwell on the frills. I get that the band brought this on themselves, but some degree of objectivity would be nice.wasnt it written in like 15 minutes or some shit
Just to remind myself, we don't do albums that had their first official release if it's different from their original release?