Einherjar86
Active Member
I mean that it's not a defense because the relationship between the work and some lit departments isn't representative of the relationship between a work and basically anyone else, never mind the relationship between the author and the work.
What difference does this make if we're talking about the ideals, values, qualities, etc. of the works themselves? Who's more qualified to speak about that--me, or a generally uninformed public?
I don't even know where we are at this point in the argument; all I know is that you still haven't admitted you're wrong about twentieth-century artistic movements and probably aren't going to.
Read it yesterday. I was surprised at how scathing it was. Coates may be no revolutionary on the front lines like West, but calling Coates a fetishist of white supremacy is a bit much. West's critique was also rather narrow in its scope. He seems to base this op-ed primarily on Coates's most recent book and neglects the contradictions to his assertions found in Coates's previous writings (Personally, I don't find the contradictions entirely problematic. Attitudes and reasoning are contextual). Coates is a pessimist, sure. Fetishist? Ouch. The first thing that popped into my mind when I read that though was Coates's self-reflection in Paris when, in the midst of following a stranger around the city, he realized he didn't have to be on edge as if he were putting himself into danger, with the parallel being the streets of Baltimore on which the book begins.
Here's Coates's rebuttal on Twitter: https://twitter.com/tanehisicoates/status/942524465346310144
I agree with West's argument on some points, but not every black thinker should have to be a black radical without being utterly shamed by the revolutionaries. Practically speaking, I don't get it, but then it's also not intended to be practical.
Not sure I get it either, but I thought there were some effective critiques strewn throughout. I do happen to think that Coates walks a fine line between nuanced critique and fetishism, so I found the argument timely; but I'm not sure it's fair to judge him on only his most recent work, as you note.