Cythraul
Active Member
- Dec 10, 2003
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Planetary Eulogy said:Even entrenched mainstream artists like Marilyn Manson and Rammstein have played around with Nazi iconography (much as David Bowie, Siouxsie and Banshees, The New Order and The Joy Division did in the late 70's and early 80's).
I don't think there's much to be worried about (or glad about in your case) with regards to such artists' use of national socialist iconography. I think for the above performers, nazi iconography serves more of a fetishist function, and that's certainly nothing new.
Still, the continuing allure of National Socialism for musicians is that it, alone of the great ideological systems of the modern era, recognized the enduring power and value of art. Indeed, National Socialism was in large measure an attempt to make art of politics. This is the enduring philosophical achievement of National Socialism, the recasting of political ideology in terms of myth, culture and aesthetics rather than in purely economic and material terms. In this sense, it remains a potent influence today, particularly on the post-Marxist Left (though you'd never get any of them to admit their indebtedness to the Nazis).
You act as if art created in the name of national socialism isn't worthless, overwrought, kitschy garbage. National Socialist philosophy and ideology is for the half-educated and no serious thinker takes it seriously.
What is unquestionable is the continuing power of National Socialist expression to elicit visceral reactions from those who come in contact with it. The moralizing and hand-wringing that inevitably result from any public discussion of National Socialist music serves to demonstrate why such music remains necessary.
The reasons for the "moralizing" and "hand-wringing" have already been stated; it's fucking obvious. Stop trying to intellectualize your way out of basic human feelings of compassion and empathy.