Sad Madrigal
Happy
- Mar 22, 2008
- 785
- 0
- 16
Not to be a dick but "Mornigrise" is sorta boring.
- Thread starter PIGIRON
- Start date
chrisdoig24k
Boom King
wankerness
Member
I am more than aware that they played it several times, but that was definitely the reason given for them dropping it from the setlist. Must have just been a consistency thing or him getting less stamina as the years went by or something.
Whisper and Weep
Awaken from the Miasma...
- Feb 4, 2008
- 300
- 0
- 16
Morningrise is an epic achievement in my eyes, especially TBYF. The only complaint I have is that sometimes the bass sounds to wet on certain parts like the outro of Nectar, but than again the rough production adds to the atmosphere, much like MAYH.
ramses
Member
- Jan 19, 2004
- 1,103
- 0
- 36
Just like all Opeth albums, it takes a few listens to sink in, and enthral you. I remember getting Orchid about 6-7 months after it came out, thinking awesome Morbid Angel/Maiden sound! And, then I got Morningrise, and thought, not bad. I listened to it a few more times, and thought, not quite as good as Orchid. But then, after not listening to it for week, I caught myself humming the melodies, and singing some of the lyrics at work over the next few days. After listening to it after a week off from it, I became addicted to the album, and noticed it was more than Maiden/Morbid Angel. It reminded me of early Yes, Camel, early Genesis, and a little Eloy in many parts throughout. There's not too many bands around that'll have you going back, and revisiting all their albums for an extended period, time and time again.
anonymousnick2001
World's Greatest Vocalist
Weakest track on the album. Better are actually the remaining three heavy tracks, simply for having better riffs and being less disjointed. Best song: TBYF. No argument.
And Martin Lopez is a guzzler of horse semen. His haphazard, 'rollicking' double bass only made me angry for six fucking albums. Now he'd dead or whatever. Axenrot fuck yeah!
And Martin Lopez is a guzzler of horse semen. His haphazard, 'rollicking' double bass only made me angry for six fucking albums. Now he'd dead or whatever. Axenrot fuck yeah!
prowlergrig
AnoThoR Fan
Dark One
The Tainted Dogma
And so the journey begins. A disc that would change the way I look at music forever, expanding my horizons in so many unforgettable ways; showing me that a piece of music does not have to be simple to be memorable, nor formulaic to be magical.
Sweden's OPETH are by no means strangers to the underground metal scene, having developed quite a cult following since their first release back in 1994. Their first two albums (1994's Orchid and 1996's Morningrise) are quite different from their later works, the band having undergone both stylistic and lineup changes beginning with 1998's My Arms, Your Hearse. But if Morningrise was to be the last testament to their original sound, it could not have been a more fitting one.
There really is no way to adequately categorize the style of music heard here, only that each song is a progressive, hypnotic musical journey of at least 10 minutes in length, utilizing both harsh and clean vocals, haunting acoustical passages, thunderous riffs, beautifully poetic lyrics and song structures that defy the very definition of the word "structure". There are no big choruses, no numbered verses, no catchy hooks or bridges, no boundaries of any kind; only 4 amazingly talented musicians playing from their soul from beginning to end. You simply never know what to expect. You can be standing alone on a hillside in the moonlight, desperate, agonizing and tormented over the loneliness, then suddenly be taken on a soft, majestic passage flying through wooded fields, a peaceful place now lost in a far faded memory. These types of transitions and imagery are seamless and occur from the first note of the album to the last. Sometimes, if you are not familiar with the different songs, it's even hard to tell where one ends and the next one begins, and yet there are an infinite amount of emotions displayed in every passage. And each emotional journey is portrayed as vividly as the next; it's really up to the listener to discover them all.
The musicianship is top-notch, with each instrument (including the vocals) having a chance to wander in their own direction. In one sense, the songs are almost like "jam sessions" (albeit not nearly as raw) where everyone does their own thing and the final product isn't really meant to have any cohesion whatsoever. In another sense, the songs are woven together as if by some grand design where, after the final product is accomplished, the vision becomes clear with crystallized clarity. The vocals are incomparable and are perfect for the moods displayed on the album. Mikael Akerfeldt (main singer/songwriter/2nd guitar) is one of the best growlers on the planet no matter what pitch he chooses to sing in. On Morningrise, he utilizes a higher pitch than the more "traditional" death metal growls that would follow on later releases. And the clean vocals show just how versatile a singer he is. The bass work of Johan DeFarfalla is also phenomenal. As far as I'm concerned, this guy is a world class player. The bass isn't just about keeping the rhythms of the songs together here, it's about branching out and creating totally original, memorable lines that add to the uniqueness of the sound. It's such a shame that this album would prove to be his swansong with the band (taking nothing away from the talent of the current lineup), as the bass sound would also move to a more "traditional" style following this album. Of course, it would be a crime to not also give proper credit to Peter Lindgren (lead guitar) and Anders Nordin (Drums) for their contributions to this masterpiece. Dan Swano must also be mentioned for his wonderful production oversight and engineering efforts. His always steady guiding hand is clearly evident here.
The following three passages from the album are some of the greatest pieces of music I have ever heard in my entire life:
- "Advent" - from the 8:11 mark to the 9:20 mark
- "Nectar" - from the beginning of the song to the 1:33 mark
- "Black Rose Immortal" - from the 12:21 mark to the 14:48 mark
In closing, this is an album that took every conventional idea I had of what makes great music and cast those notions aside forever. The true power behind the greatest music comes from within; from the power of originality, where you are limited not by tradition or by someone else's idea of what will sell, but by the boundaries of your own imagination. This is an essential and timeless classic. This is my favorite album of all time.
Rating: 10/10
Reviewer: Dark One
Jason
Sweden's OPETH are by no means strangers to the underground metal scene, having developed quite a cult following since their first release back in 1994. Their first two albums (1994's Orchid and 1996's Morningrise) are quite different from their later works, the band having undergone both stylistic and lineup changes beginning with 1998's My Arms, Your Hearse. But if Morningrise was to be the last testament to their original sound, it could not have been a more fitting one.
There really is no way to adequately categorize the style of music heard here, only that each song is a progressive, hypnotic musical journey of at least 10 minutes in length, utilizing both harsh and clean vocals, haunting acoustical passages, thunderous riffs, beautifully poetic lyrics and song structures that defy the very definition of the word "structure". There are no big choruses, no numbered verses, no catchy hooks or bridges, no boundaries of any kind; only 4 amazingly talented musicians playing from their soul from beginning to end. You simply never know what to expect. You can be standing alone on a hillside in the moonlight, desperate, agonizing and tormented over the loneliness, then suddenly be taken on a soft, majestic passage flying through wooded fields, a peaceful place now lost in a far faded memory. These types of transitions and imagery are seamless and occur from the first note of the album to the last. Sometimes, if you are not familiar with the different songs, it's even hard to tell where one ends and the next one begins, and yet there are an infinite amount of emotions displayed in every passage. And each emotional journey is portrayed as vividly as the next; it's really up to the listener to discover them all.
The musicianship is top-notch, with each instrument (including the vocals) having a chance to wander in their own direction. In one sense, the songs are almost like "jam sessions" (albeit not nearly as raw) where everyone does their own thing and the final product isn't really meant to have any cohesion whatsoever. In another sense, the songs are woven together as if by some grand design where, after the final product is accomplished, the vision becomes clear with crystallized clarity. The vocals are incomparable and are perfect for the moods displayed on the album. Mikael Akerfeldt (main singer/songwriter/2nd guitar) is one of the best growlers on the planet no matter what pitch he chooses to sing in. On Morningrise, he utilizes a higher pitch than the more "traditional" death metal growls that would follow on later releases. And the clean vocals show just how versatile a singer he is. The bass work of Johan DeFarfalla is also phenomenal. As far as I'm concerned, this guy is a world class player. The bass isn't just about keeping the rhythms of the songs together here, it's about branching out and creating totally original, memorable lines that add to the uniqueness of the sound. It's such a shame that this album would prove to be his swansong with the band (taking nothing away from the talent of the current lineup), as the bass sound would also move to a more "traditional" style following this album. Of course, it would be a crime to not also give proper credit to Peter Lindgren (lead guitar) and Anders Nordin (Drums) for their contributions to this masterpiece. Dan Swano must also be mentioned for his wonderful production oversight and engineering efforts. His always steady guiding hand is clearly evident here.
The following three passages from the album are some of the greatest pieces of music I have ever heard in my entire life:
- "Advent" - from the 8:11 mark to the 9:20 mark
- "Nectar" - from the beginning of the song to the 1:33 mark
- "Black Rose Immortal" - from the 12:21 mark to the 14:48 mark
In closing, this is an album that took every conventional idea I had of what makes great music and cast those notions aside forever. The true power behind the greatest music comes from within; from the power of originality, where you are limited not by tradition or by someone else's idea of what will sell, but by the boundaries of your own imagination. This is an essential and timeless classic. This is my favorite album of all time.
Rating: 10/10
Reviewer: Dark One
Jason
