Well clearly it is the the dynamic elements that give Opeth their identity, I guess I was more so saying that I enjoy the mellower parts more than the metal parts on a whole. And I would definitely have to disagree with Damnation not being that great. Damnation is one of my favorite Opeth albums and the main reason I don't listen to it as much anymore is because I listened to it TOO much when it came out. I really killed that album. But songs like windowpane, hope leaves, closure, to rid the disease, and ending credits are incredible. The composition on damnation is so fluid, I really think Mike was in the zone when he came up with those songs. The solos are some of their best as well. Also, the production of Damnation is another element which adds to the albums greatness.
I don't ever want them to lose their death metal sound, so I don't want to give that impression. I simply enjoy the mellow parts more I would say. I even said that in my first post, that I love the metal parts as well and that they're essential to Opeth's identity. So perhaps I guess I'm trying to say MIKAEL, START AN ALL MELLOW SIDE PROJECT! Perhaps with the drummer from paatos, bring per along, grab justin chancellor, and steven wilson for rhythm guitar and harmony vox.