Martyr's newest- Feeding the Abscess
The technical riffs and roars in Martyrs previous releases of Hopeless Hopes and Warp Zone have set the band up for a 2006 masterpiece, Feeding The Abscess. The album may be a bit ahead of its time, but Martyr has a lot of catching up to do, this being their first release in nearly 6 years.
As progressive as they are, Canada-hailing Martyr has never pushed away outside influence from the masters of Cryptopsy, Atheist, and Cynic. In fact, Feeding The Abscess shows obvious inspiration from Atheists earlier work, from the jazzy riffs to the overall structure of the songs. The vocals have predictably drifted further toward Neurosis territory with distorted broken shouts from vocalist, Daniel Mongrain. When Daniel Mongrains vocals get annoyingly close to the voice of Neurosis Scott Kelly, it becomes clear that Neurosis pulls off the style much better.
The guitars of Feeding The Abscess are outstanding, weaving together all the parts into a beehive of technical riffs and hammer-like drumming, most notably on the opener Perpetual Healing. The intricate pattern of jagged riffs and distorted chords make the first track the highlight of the album. And while the guitars stay extremely talented and fast, the album is mostly downhill from then on.
The experimental tone of the album is ahead of its time. Martyr takes a huge leap into Progressive Metal by writing some advanced, highly complex music. Cynic took the same dive back in 1993 with Focus, but fans of the Florida Death Metal scene embraced the new style, and Im not sure if the same crowd will dig Feeding The Abscess. There is clearly a LOT going on in this album, and for those who prefer the classic Death Metal style, dont bother looking too hard for this one.
By Andy Bach